Here are our reviews of comedy Gigs
Melbourne International Comedy Festival review by Steve Bennett
04/04/2015 … This might be his first solo show, but Nazeem Hussain comes to the Melbourne comedy festival with his own TV vehicle – SBS’s Legally Brown – and years of…
Melbourne International Comedy Festival review by Steve Bennett
04/04/2015 … Anne Edmonds’ obvious forte is her precise portrayal of an awful collection of suburban grotesques, although of all her personalities, the one that most intrigues…
Melbourne International Comedy Festival review by Steve Bennett
03/04/2015 … A messy, sweaty orgy of barely-choreographed chaos, Ceremony lets Sam Simmons and Dr Brown fully off the leash to indulge their most anarchic ideas… and neither…
Melbourne International Comedy Festival review by Steve Bennett
02/04/2015 … Mental health is an increasingly fertile ground for comedy, partly because the issue is losing its wider stigma and partly because stand-ups always want to explore,…
Melbourne International Comedy Festival review by Steve Bennett
02/04/2015 … Early in her show, Susie Youssef jokes with an air of ironic self-deprecation that she’s trepidatious about the show, but: ‘I don’t know why I’m nervous……
![Headliners [Melbourne 2015] | Melbourne International Comedy Festival review by Steve Bennett](/images/photos/small/headliners15.jpg "Headliners [Melbourne 2015] | Melbourne International Comedy Festival review by Steve Bennett")
Melbourne International Comedy Festival review by Steve Bennett
02/04/2015 … Whether by accident or design, there’s a varied ethnic mix to the initial line-up of Melbourne’s US stand-up showcase Headliners, featuring a Jewish guy, an…
Melbourne International Comedy Festival review by Steve Bennett
01/04/2015 … Sammy J and Randy have just wrapped on their first sitcom, an odd-couple flatshare affair based on their 2010 live show Ricketts Lane for the ABC.
Melbourne International Comedy Festival review by Steve Bennett
01/04/2015 … Sam Simmons has a bugbear about ‘relatable’ comedy – an adjective that’ll never get affixed to his wild, absurdist output.
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