Here are our reviews of comedy Gigs
Melbourne International Comedy Festival review by Steve Bennett
01/04/2015 … Sammy J and Randy have just wrapped on their first sitcom, an odd-couple flatshare affair based on their 2010 live show Ricketts Lane for the ABC.
Melbourne International Comedy Festival review by Steve Bennett
01/04/2015 … Sam Simmons has a bugbear about ‘relatable’ comedy – an adjective that’ll never get affixed to his wild, absurdist output.
![Sarah Kendall: A Day In October [Melbourne] | Melbourne International Comedy Festival review by Steve Bennett](/images/photos/small/sk_sarah_kendall15.jpg "Sarah Kendall: A Day In October [Melbourne] | Melbourne International Comedy Festival review by Steve Bennett")
Melbourne International Comedy Festival review by Steve Bennett
01/04/2015 … A Day In October is in content and style a natural progression from Sarah Kendall’s last festival show, Touchdown, as she matures from stand-up to storytelling.
Glasgow Comedy Festival review by Jay Richardson
31/03/2015 … There's a striking bit in Elaine Malcolmson's hour where the Northern Irish comic takes herself out of the story she's telling about death and remembrance, to reflect…
Gig review by Steve Bennett at G Live, Guildford
30/03/2015 … There’s an old saying, attributed to 1930s American funnyman Ed Wynn, differentiating innate wit from learned techniques: ‘A comic says funny things; a comedian…
Glasgow Comedy Festival review by Jay Richardson
29/03/2015 … Always the most compelling entry in the programme for punters hoping to see something new, and the only real justification for 'international' in the Glasgow International…
Gig review by Steve Bennett at Leicester Square Theatre
27/03/2015 … The first thing to say about Buttery Brown Monk is that that their name – like the similarly theological Cardinal Burns’s – comes from their surnames, not…
© BBC/Sophie Mutevelian 26/03/2015 … With its wordless opening, it initially looks as if the second series of Inside No 9 is going to repeat the most audacious episode of the first, and create a near-silent…
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