Half Indo-Caribbean and half Greek-Cyprio, Mick Mohammed became involved in the Footlights while at Cambridge University, appearing in their touring show Beyond A Joke (2004) and Under The Blue, Blue Moon (2005).
He made his solo Edinburgh debut with the Forer Factor in 2006, and has returned the subsequent four years.
On TV, his biggest role so far was as yes-man Steve in the 2009 revival of Perrin, but his credits also include various roles in Horne & Corden, hit kids' show Sorry I've Got No Head and the ITV2 sitcom No Heroics.
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'You inevitably get steered towards writing about your identity'
Nick Mohammed on the media industry's limited take on diversity
Nick Mohammed has renewed his calls for greater representation of minority groups in TV and film.
The comedian and star of Celebrity Traitors says he gets frustrated that as a person of colour he’s always asked to write about identity, and is not allowed to simply be silly.
‘f you find a queer writer, a person of colour, a disabled writer, someone from the trans community… inevitably the commissioner will have steered them to write about their identity,’ he said. ‘It’s so frustrating, because I just want to write about anything.’
'If I was writing about racism growing up in like 1980s and 90s in near Bradford, that is so much more what they want to hear from me than like, oh, it's Mr. Swallow doing his thing, trying to put on A Christmas Carol or whatever he's trying to do. They just don’t want to hear it.’
His latest comments came on the British Independent Film Awards podcast and echo points he makes in his latest live show in the guise of Mrs Swallow, Show Pony, which will next week extended its tour.
Mohammed – who is also known for his roles in Ted Lasso and Slow Horses – told hosts Karis Aldridge and Joy Hunter that the focus on identity was ‘a symptom of the fact that the higher up you go within TV and film commissioning, the lack of representation becomes really pronounced'.
He added: 'This really feels like a bunch of white people sat around the room and said, how do we solve it? I was like, oh, great, let's have a diverse pot of money. And that's for diverse people to tell their diverse stories. We've done it, we've nailed it.
‘They have a very specific view of what they think tackling the diversity and lack of representation problem is. Sadly, it’s a little narrow-minded.
‘Things have come on, but it is identity skewed. Look at the recent commissions. They are all primarily about identity, because there’s this expectation that that’s what will get your show greenlit.That’s not to say those shows aren’t good. But true representation would be a trans writer writing about a dentist.
‘We need commissioners of colour high up. If you’re a person of colour trying to break through, you look at what else is being commissioned and assume that’s your only route.’
‘It’s a self-fulfilling prophecy. We’ve got to break the cycle. It’s not to have a pop at identity shows, want to see those shows too. But they can’t be the only part of the picture.’
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