Rowan Atkinson

Rowan Atkinson

Date of birth: 06-01-1955
Born in Consett, near Durham, Rowan Atkinson was educated at Durham Choristers School, and St Bees School, before going on to study electrical engineering at Newcastle University and a master's degree at Queen's College, Oxford. There he performed sketches with the Oxford University Dramatic Society and the Experimental Theatre Club, where he met writer Richard Curtis.

He took part in various student revues at the Edinburgh Fringe from 1973 to 1977, followed by a revue in London's Hampstead Theatre in 1978 called Beyond A Joke.

That year, he was offered his own television series by ITV but turned it down in favour of Not the Nine O'Clock News, for which he also wrote many of the sketches.

His performance in the Secret Policeman's Ball Amnesty benefits in 1979 - where he was one of the most junior comics alongside the likes of John Cleese and Peter Cook - helped cement his reputation. And he returned for the Secret Policeman's Other Ball in 1981. That year, he also performed in revue with Richard Curtis at London's Globe Theatre.

His growing success led to his starring in the medieval sitcom The Black Adder, which he also co-wrote with Richard Curtis, in 1983. For the remaining three series (in 1985, 1978 and 1989), Ben Elton replaced Atkinson as co-writer.

Atkinson toured with Angus Deayton as his sidekick in 1986 and again in 1991. He also appeared at Montreal's Just For Laughs festival in 1987 and 1989. His stand-up shows were released in two albums: Live In Belfast in 1982, and Not Just A Pretty Face in 1987.

Also on stage, he performed in The Nerd in 1984-85 and in Chekov's The Sneeze in 1988-89, both at the Adwych Theatre in the West End. In 2009, he will return to the stage to play Fagin in the revival of Oliver!

Other than Blackadder, his most famous creation is Mr Bean, a silent nerdish character, a version of who first appeared in the live shows. A total of 18 half-hour specials were made for ITV between 1990 and 1995. A huge international hit, thanks to the comedy not depending on language, the character appeared in his own blockbuster movie in 1997 and a follow-up is due for release in 2007. An animated children's series was launched in 2002.

Atkinson's other film credits include The Tall Guy in 1989, a cameo as a vicar in 1994's Four Weddings And A Funeral, the voice of zazU in The Lion King in 1994, spy spoof Johnny English in 2003, and Love Actually also in 2003.

He was also one of the founders of Comic Relief, appearing in the original 1986 live show and making various appearances in the telethons over the years. He also starred in the Ben Elton-penned police sitcom The Thin Blue Line in 1995-6.

Away from his work, Atkinson prefers a life out of the spotlight, living in a secluded manor house in Oxfordshire with his wife Sunetra, who he married in 1990, his two children, Lily and Benjamin, and large collection of cars.

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Man Vs Baby

Review of Rowan Atkinson's festive comedy

At last, a Christmas comedy for those traumatised by the gritty, cynical realism of Love, Actually.

Rowan Atkinson’s Man Vs Baby is festive entertainment by algorithm, from picture-perfect English village, cute children, nativity scenes, low-risk philanthropy, lavish Christmas meals and the snow-flecked streets of London’s swankiest neighbourhoods. 

We first met Atkinson’s latest alter-ego, Trevor Bingley, in 2022’s Man Vs Bee, when he was very much a Mr Bean type, driven to distraction by the titular insect, getting involved in increasingly desperate scrapes to try to despatch it, and barely speaking as he did so.

The intervening three years – and the jail time he was given over the serious crimes he committed in pursuit of that bee – have very much mellowed him. He is now the sweetest man, if forlorn, living in an isolated house he can’t afford to heat, missing his daughter now she’s living with his ex-wife, and just about to lose his job as a primary school caretaker.

It’s in this role that he gets lumbered with a baby – unclaimed after being used in the school nativity – just as he lands a very well-paid job housesitting a billionaire’s palatial flat over Christmas. Getting to this point takes the full first episode of four, the plot being in little rush to advance.

Based on past form, you probably know what to expect. Incompetent Trevor struggling to look after the little ’un amid all manner of threats the sprawling penthouse contains. Here, though, is where the show deviates from expectations as Trevor is doting and generally adequate in being a carer, even if his illogical solutions to problems do bring on more dilemmas. Yet he’s just as likely to get out of those too. There is precious little of the manic, farcical physical comedy that made Bean such a worldwide phenomenon, and absolutely none of the snideness that made Blackadder such a compelling anti-hero.

The baby – treated as a package Trevor just has to drop off with social services rather than a worrying protection issue –  isn’t even always central to the story. Our unlucky housesitter also has a run-in with a dog who develops a taste for his shoe, and spawns more drama when he is tasked with decorating the flat and making a slap-up Christmas meal when told the owners are making an unexpected visit. 

Rowan with dog

There’s a festive-cheer side story about Trevor being kind to a homeless couple squatting in the basement (Ellie White and Angus Imrie as the most gentle, middle-class homeless people you could ever expect to meet).  Though this plot feels as if it’s trying too hard, and the messaging is confused given the show portrays the ideal Christmas as being defined by exquisitely prepared high-end food, vintage champagne and perfect decorations in the most ludicrously unaffordable of homes. 

Made pretty much as a film – the episode breaks seem almost arbitrary – Man Vs Baby is unfailingly sweet (the right side of cloying, just about) and enlivened with a few scattered moments of laugh-out-loud comedy. Though tellingly one of the funniest moments *is* when it leans towards type and has the baby fall down a laundry chute.

It’s family friendly, easy-viewing entertainment, undemandingly heartwarming if you just let it wash over you, which might be just what you need amid the stresses of Christmas prep. But ultimately it feels too lightweight to become a perennial seasonal favourite, even by the already slight standards of that genre. 

• Man Vs Baby is on Netflix now

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Published: 12 Dec 2025

Man Vs Bee

Rowan Atkinson’s physical comedy is as close…
24/06/2022

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