John Cleese

John Cleese

Date of birth: 27-10-1939
John Cleese is one of the towering figures of British comedy, both physically and metaphorically, the respect he earned from Monty Python and for creating Fawlty Towers undimmed by the less consistent work of his later career.

Cleese was born in Weston-Super-Mare, His father, Reg, an insurance salesman had originally been called Cheese, but changed his surname when he joined the army to avoid being taunted.

John was was privately educated at St. Peter's Preparatory School; Clifton College, Bristol, and Downing College, Cambridge, where he read law and, crucially, joined the Cambridge Footlights, where he met Graham Chapman, with whom he started writing.

Although initially turned down for the troupe, he wrote for their revue in 1961, 1962 and 1963, starring in the latter two productions. It was the 1963 show, A Clump Of Plinths, that gave him and his co-stars their first break; taking the Edinburgh Fringe by storm, then transferring to the West End, Broadway, and a tour of New Zealand under the name Cambridge Circus.

After the New York run, Cleese decided to stay on in the US as an actor, with roles in such stage shows as Half A Sixpence, and trying his hand at journalism, working for Newsweek. While in America he met Terry Gilliam, who was working for a magazine called Help! (he recruited Cleese to appear in a photo-story) as well as a waitress and aspiring actress called Connie Booth, who he would marry in 1968. She gave birth to their only child, Cynthia, in 1971.

Back in Britain, Cleese was given a job as a writer with BBC radio, working on such programmes as The Dick Emery Show, and making the sketch show I’m Sorry I’ll Read That Again with his Cambridge Circus co-stars. The show eventually ran from 1965 to 1974.

In 1965, Cleese and Chapman started writing for David Frost’s The Frost Report, and he also appeared on the programme, including the classic class-based sketch in which he appeared alongside Ronnies Barker and Corbett, each looking up or down on each other. Future Monty Python members Eric Idle, Terry Jones and Michael Palin were also on the illustrious writing team.

Cleese and Chapman also wrote episodes of Doctor In The House, and in 1965 were invited to work with Tim Brooke-Taylor and Marty Feldman on At Last The 1948 Show – the title jokingly referring to the length of time it took the BBC to commission the programme.

In 1969, Cleese and Chapman were offered their own series. But Cleese, reluctant to take the responsibility in the light of alcoholic Chapman’s unreliable behaviour, invited Palin to join them. Since Palin was awaiting an ITV commission with Idle and Jones, they came on board, too, along with Gilliam – and so Monty Python was born as an ensemble piece.

The BBC series ran for four series, from October 1969 to December 1974, but Cleese did not take part in the final run, feeling that the troupe had reached its prime.

However, he was persuaded to return for the film Monty Python and The Holy Grail in 1975, and they subsequently made Life Of Brian and The Meaning Of Life for the big screen, too.

From 1970 to 1973 Cleese served as rector of the University of St Andrews, a role he took surprisingly seriously.

Cleese managed to follow Python with an even more enduring creation, Basil Fawlty, the rude, exasperated hotelier based on a real person, Donald Sinclair. He and Booth, who co-created the series, had been inspired by Sinclair’s bizarre antics running the Gleneagles Hotel in Torquay, where they stayed during location filming on Python – including hiding Idle’s briefcase behind a garden wall, fearing it was a bomb.

The first series began in Septmeber 1975 – but it was four years until the second appeared, due in part to Cleese and Booth’s meticulous planning of each episode. By the time the second series appeared, the couple’s marriage had failed, but they still managed to write together.

He married Barbara Trentham on February 15, 1981. Their daughter Camilla was born in 1984, but they divorced in 1990.

In 1982 he rejoined the Pythons for their Hollywood Bowl show, and masterminded the Amnesty International benefit The Secret Policeman’s Ball, persuading many of comedy’s top stars to take part. Cleese also set up a training company, Video Arts, using his comedy talents in films designed to help workers in their jobs. The company netted him and his three co-founders a total of £42million when it was sold in the late Eighties.

He also has a keen interest in psychotherapy, and has written two books with analyst Robin Skynner: Families And How To Survive Them and Life And How To Survive It.

Outside Python, his Eighties film roles include Time Bandits, Privates On Parade, Yellowbeard, Silverado, Clockwise and Eric The Viking.

In 1988 he wrote and starred in A Fish Called Wanda opposite Jamie Lee Curtis, Kevin Kline and Michael Palin, and was nominated for an Oscar for his script. But the long-awaited follow-up, Fierce Creatures, in 1996 was widely considered a disappointment.

In 1982, Cleese married Alyce Faye Eichelberger, his third blonde American wife, and they remain together to this day, spending most of their time on his Californian ranch.

In the Eighties, he also made party political broadcasts for the Liberal Democrats and the SDP-Liberal Alliance

In 1996, Cleese was offered the CBE, but turned it down.

Cleese’s notable guest appearances include The Muppet Show in 1978; playing Petrucio in a 1980 TV version of The Taming Of The Shrew; playing Q’s assistant in the 1999 James Bond movie The World Is Not Enough and Q himself in Die Another Day three years later.

He has also, lucratively, appeared on some of the most successful US sitcoms in recent years, with a one-off rols in Cheers; and recurring characters in Third Rock Form The Sun (playing Liam Neesam) and Will & Grace, (Lyle Finster).

He is known to a younger generation as Nearly Headless Nick in the Harry Potter films, or possibly as the voice of Princess Fiona's father, King Harold, in Shrek. And he is set to plays Chief Inspector Dreyfus in the 2009 revival of Pink Pather.

Cleese has also leant his voice to George Of The Jungle, Valiant and Charlotte’s Web, the video game Jade Empire, TomTom satellite navigation systems, and Eric Idle’s West End and Broadway Python musical Spamalot, in which he was the voice of God.

In 2005 Cleese toured New Zealand with a live show, but hopes this would spawn more performances around the world appear to have amounted to little, although he did take part in the 2006 Just For Laughs festival in Montreal.

He has both a species of lemur, Avahi cleesi, and an asteroid, 9618 Johncleese, named in his honour.

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John Cleese: Dinosaur Hour

Review of the comedian's new GB News show

Since he’s spent most of the recent years bemoaning woke culture, John Cleese finds a natural home at GB News, even if you might hope he has some reservations about becoming a bedfellow of the likes of Lee Anderson, Dan Wootton, Darren Grimes and, soon, Boris Johnson.

His other endlessly repeated bugbear is how television executives these days are meddling and way too timid, not trusting the talent. He presumably misses the days when the suits doled out big commissions to Oxbridge types with only the vaguest idea what they wanted to do and assuming they’ll probably be OK, the way Monty Python got ordered.

So GB News lured him with the promise of no editorial interference. And Dinosaur Hour, the show he could make with all that creative freedom? Well, it’s just OK. Though by the channel’s normal standards, that’s a massive step up.

It also has higher production values than the usual shot-a-Samsung look of its output. It’s filmed in castle-cum-cafe amid nuns and bowler-hatted businessman, waited upon by comedian and GB News regular Lewis Schaffer – a set trying a bit too hard to be quirky, perhaps, but setting it aside from the normal programming.

Executive produced by comic and GB News regular Andrew Doyle, episode one was a platform for another of Cleese’s perennial bugbears: his long-running campaign against the British press. ‘Newspapers have basically become propaganda sheets,’ he concluded. Which, given where he now works, is a bit rich.

Talking about truth and impartiality on GB News is an irony Cleese would surely have pounced on when he was more a comedian and less a professional grouch. 

When the topic of Ofcom’s investigations in GB News are briefly raised, he defends his new employers by screeching: ‘Free speech!’ Could that defence not be afforded to newspapers, too?

Dinosaur Hour certainly does not claim to be comedic, which is a good job given Cleese’s opening line is to promise that the show won’t focus on trivia like ‘the latest trans person’s bicycle accident’, showing his petty reactionary side in lieu of wit.

And the topic of the day was introduced with an awkward, sluggish sketch of sorts, showing repeated surveys that says the British printed press is the least trusted in Europe in what was intended as a slightly amusing way, with the 84-year-old hammily acting up his shock and disappointment at the results. Perhaps it’s best he sticks to being a commentator.

His take-down of the press is pretty one-sided itself, even though no one’s ever going to be rooting for the tabloids. But much of this show seems like raking over old (if very valid) grievances, and it might have been germane to hear someone make the opposing point that the collapse of the News Of The World, countless hacking settlements, increasing privacy protections being made in the courts and the Leveson inquiry have changed Fleet Street culture.

Cleese is a prominent supporter of lobby group Hacked Off, and many guests here were drawn from their ranks. A key interviewee was Steve Barnett, a professor of communications who happens to be on the campaign’s board – but that fact was conveniently omitted. Another board member, Jacqui Hames, was explicitly interviewed in her role with the group.

Danno Hanks, a dubious private investigator employed by the press but now gone straight, cheerily posed for pictures dining with Cleese and fellow Hacked Off cheerleader Hugh Grant after giving evidence in the Prince Harry hacking case earlier this year. Although whatever his links, his testimony here gave insight into the underhand tactics tabloids used at their worst.

Later, Chris Tarrant told how he came to distrust even some of his closet friends, thinking they had leaked information actually obtained by phone hacking. Even more sympathetic was the powerful and heartbreaking testimony of Danielle Hindley about the impact a Mail on Sunday report falsely accusing her of being a rogue beautician had on her life.

She won a ruling from regulator Ipso and, later, a libel victory – which came as small succour compared the impact the original story had on her life. Her case is one of those that makes the viewer think ‘something must be done’… but any deeper discussion about what regulation might look like that wouldn’t also stop journalists from exposing genuine dodgy operators would have to wait for another day.

Despite his obvious predetermined stance on the topic, Cleese is a reasonable enough interviewer – no Andrew Neil, but he gives his subjects tell the stories he wants them to tell. His interjections are primarily of loud, bitter laugh at turns of events he finds darkly preposterous. 

The star signing and sense of professionalism are likely to draw more viewers to the perpetually in-crisis GB News, at least for this hour. But Dinosaur Hour doesn’t seem surprising enough to be a lasting appointment-to-view proposition.

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Published: 29 Oct 2023

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