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Show type: Edinburgh Fringe 2010
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Tripod Versus The Dragon
For thousands of millennia, award-winning musical idiots Tripod have wowed audiences in Australia and abroad with their trademark blend of gorgeous harmonies and dysfunctional relationships.
In their latest opus, Scod, Yon and Gatesy strap on their scabbards to embark on a musical theatre work of exquisite sophistication and hilarity that delves deep into the terrifying, tantalizing, geektastic world of D&D.
Tripod versus the Dragon combines classic old-school character comedy and a bunch of great songs with liberal references to the great operas, the bible (all three testaments: old, new and Superstar) and the other bible: the D&D Player's Handbook. It's the Ring Cycle meets the Three Stooges meets stats.
Featuring special guest genre-busting singer and Triple J Next Crop artist Elana Stone as 'the Dragon'
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Tripod Versus The Dragon |
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![]() It’s unfair to review this as comedy, as is an excellent piece of comedy theatre with simple, beautifully realised stage effects. Although there are, of course, laughs to be had as the Tripodeans achieve a nicely understated level of sarcastic bantering and matey insults that add zip and zest to the cod-solemnity of the Dungeons and Dragons quest story they perform. Starting with a Wagnerian blast appropriate to the subject matter, this is a comedy show with proper narrative, not mates just pissing about. They tell a knightly tale with a mysterious map, descent into a mountain, shipwreck, a battle with a dragon and a redemptive romance, all in an hour – eat your heart out Andrew Lloyd Webber. They cover a range of musical styles without ever falling into cheap parody. They can harmonise beautifully without sounding camp or cheesy and the fourth member of the cast, Elana Stone, has an astonishing voice that is at once, pure, smouldering, soulful and belting. She makes the hairs on the back of your neck stand up, unusual in a comedy show. The staging is great, including dramatic shadow puppetry, a screen that becomes a sail, and all run off old technology, an overhead projector. There were gentle laughs throughout, and the audience, spellbound by music and storytelling gave the most intense and rapturous applause. This was not the usual knockabout offering from Tripod, but complex, funny and achieved a geeky beauty.
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| Date of live review: Sunday 22nd Aug, '10 | |
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Review by Julia Chamberlain |
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Friday 9th Apr, '10 - by Steve Bennett | |
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