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Russell Kane: Smokescreens & Castles
Show Details
Russell Kane: Smokescreens & Castles
Show type: Edinburgh Fringe 2010
Starring Comic:
Russell Kane

Russell Kane: Smokescreens & Castles


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Smokescreens and Castles

DVD preview

More Russell Kane: Smokescreens & Castles videos
Smokescreens and Castles
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Description

In his new show, the triple Edinburgh Comedy Award nominee and co host of ITV2’s I’m A Celebrity Get Me Out Of Here Now! explores self, family, and the consequences of his Dad buying his own council house.

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Reviews

Russell Kane: Smokescreens & Castles
Live Review

Russell Kane: Smokescreens & Castles rated 4/5
Russell Kane: Smokescreens & Castles

This is the show when Russell Kane finally comes of age, releasing all the potential he’s ever been credited with into one dense, smart, funny and honestly personal examination of his proud working-class family, warts and all.

Gone – well almost – is the empty posturing and the kneejerk chip-on-the-shoulder depiction of middle-class pretension, despite his apparent desire to join that club. Instead the intense focus of his intelligent wit has been turned, for the most part, on to his tough-guy father, a thick-necked white van man for whom emotion is a sign of weakness. You would have to have lived a very rarefied existence not to know, or be related to, a bloke like this.

The castle is a metaphor for the thick, cold walls dad Dave built around his heart, beyond the usual ‘Englishman’s home’ analogy – although that applies, too, as Kane Snr was the only one on his Enfield council estate to buy his house when the Thatcher regime allowed it, instantly setting him apart from his neighbours, who despised him for it.

Inspired by the same significant family event that’s prompted a few recent Edinburgh shows from male comics in their thirties, Kane tries to understand his father’s racist, homophobic views, petty resentments and emotional detachment. As a liberal, arts graduate with a thirst for knowledge and a love of drama, Kane was obviously a worry to his polar-opposite father, who inevitably suspected his offspring could be gay. The nightmare scenario…

Kane’s ideological clashes with his father provide some of the best moments here; including an inspired routine about the right-wingers who deny all evidence of climate change on a point of principle.

But his dad provides only one aspect of the working-class archetype Kane delves into. The other – the effervescent enjoyment of life in the moment, putting your family first and your friends almost as close – is epitomised by his mother and, of a fashion, his formidable grandmother in a routine that contains the most beautifully onomatopaeic use of the c-word.

Then there’s what surely must be the best routine on sociocultural linguistics this Fringe. Top five at least. This is his insightful theory about how the Essex accent informs the attitude, or vice-versa, comparing it to other regional brogues and traits.

Add to this tales of a fight in a curry house, the story of how Kane sustained possibly the most middle-class motoring injury possible (it involves a Toyota Prius and a Trollope audiobook), his theories on sex education and the rise of the BNP, and a measured level of audience teasing and you’ve got a jam-packed show, even by the fast-talking comic’s usual standards.

That’s really the only criticism, that the intense show does feel a bit rushed – and Kane admitted he was editing out a few routines as the hour deadline loomed. Some of these ideas need a little more room to breathe – which presumably they’ll get when Smokescreens And Castles goes on tour this autumn.

But this is a hugely impressive show, full of ideas and performed with an irresistible vigour, marking a quantum leap for a comic powering towards the top of his game.

Date of live review: Wednesday 25th Aug, '10
Review by Steve Bennett
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Russell Kane's Smokescreens And Castles

DVD review by Steve Bennett

There’s no doubt that this was Russell Kane’s breakthrough show: a passionate and deeply personal ‘warts-and-all’ look at his often distant relationship with his father – a full-on working-class Essex geezer, a former sheet-metal worker and bouncer who would almost be a stereotype if he wasn’t real.

And what warts they were: Dad Dave was burly, emotionally-closed, racist and homophobic, hating the pursuit of knowledge and emotionally retreating into his metaphorical ‘castle’ as he feared the unknown.

In rebellion, the young Kane took to drama – much to the chagrin of dad, who though this just one step away from having his worst alpha-male fear realised: having a gay son. To this day, Kane’s stand-up performance is of the most flouncy, camply theatrical type. He sometimes overdoes the on-stage posturing, but here he’s judged it well, giving a physical energy to his first-hand anecdotes. Similarly, while Kane Sr didn’t have a book in the house, Jr delights in such florid phrasing you sometimes feel he’s swallowed a thesaurus.

But the delivery is just garnish to what is a tale with real heart, explaining Kane’s fixation with class though a packed anthology of stories about his relatives and his upbringing, populated with genuine characters, evocatively portrayed.

Even Dad, who could so easily be painted as a one-dimensional villain, has depth – after all, he’s family, and there is an abiding love there, however uncomfortably it may be relayed. That warmth is most strongly evident in the two finest segments of the 70-odd minutes: one about a dust-up in the local curry house; the other the powerfully poignant conclusion that brings the show to an emotive end.

Kane himself is not excluded from the analysis, unafraid to appear lost between the working-class world he came from and the erudite middle-class one he so desperately wants to be in, despite his jibes at its more pretentious elements.

This DVD was recorded at the Palace Theatre in his home town of Southend, giving the recollections an added relevance, especially given the repeated cuts to his mother in the Royal Box hearing things, often far from complimentary, about the man she married.

The show won Kane the Edinburgh Comedy Award last summer, and the version he’s committed to disc has improved on that already strong offering: it’s now less rushed and the story takes a clearer path through the excitable rush of ideas. But there’s no compromise on the intelligence, with plenty of smartness on display in routines such as his take on accents, or the political right’s aversion to climate change science.

This is certainly a strong offering, providing food for thought as well as plenty of hearty laughs.

  • Russell Kane: Smokescreens And Castles was released on Monday by Universal Pictures. Click here to order from Amazon for £12.93.

10/11/2011 Permanent link