Love Handles

At Latitude 2009

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Mitch Benn started his career in Edinburgh in 1994, and was voted best new comic at the 1995 Glastonbury festival; scooping the Comedian Of The Year at The Leicester Comedy Festival three years later.

He's now an established face on the comedy circuit, a regular on both Radio 4's Now Show and Radio 2's It's Been A Bad Week, and star of his own Radio 4 series Mitch Benn's Crimes Against Music, which he performed with his regular backing band, The Distractions (Kirsty Newton on bass and keyboards and Tash Baylis on drums and percussion).

He has performed hour-long shows at the Edinburgh Festival Fringe in 1997, 1998 and 1999, in the revue show The Bootleg Bootleg Beatles in 1998 and the showcase Carlton Comedy Warehouse in 1999, which the subject of a documentary series for Carlton TV.

He returned with the Distractions in 2003, and they released their debut single, Everything Sounds Like Coldplay Now in 2005.

CV

Gregg Jevin Memorial Concert
Live Review

Farewell Gregg Jevin, we hardly knew ye. ‘Legendary’ is a term used far too liberally in comedy, but never has that adjective been more apt than in his case.

He was a character of his time. Were it not for  Twitter, news of his death a fortnight ago, would never have spread so fast. After his passing was announced by comic Michael Legge, the news was picked up across the blogosphere, becoming a trending topic and being relayed by the likes of Charlie Brooker, BBC World Chris Addison, the Radio Times and Sarah Millican. Surely only a cynic would suggest these luminaries never really knew Jevin at all.

Then, through the spirit of community that binds comedians, this memorial gig was hastily arranged, attracting an impressive bill of comics all lining up to pay tribute to The Jevster. The man. The myth,

Legge had apparently been offered the Royal Albert Hall for the show – an ambitious potential booking considering it didn’t quite sell out the wonderfully intimate downstairs room of the Soho Theatre. But then in his all-too-brief time with us, Jevin was never of the mainstream.

Many of the comics tonight had personal memories of him that they put together especially for the show. A remarkably high number of them seemed to have been intimate with the man – a fact skilfully brought to attention by Shappi Khorasandi, when she frankly admitted her embarrassment that she had had the same idea for her witty eulogy as so many others on the bill.  Rachel Parris, for example, put her erotic memories to music, performing elegant comedy about inelegant topics, while her stand-up sections demonstrated perfect timing of wryly funny lines.

More memories came from Ian Rankin. Yes, that one. ‘He’s someone with better things to do,’ Legge stated in amazement before reading what the the bestselling novelist had written about his  memories of Jevin, and how he got on so famously with one Detective Inspector John Rebus.

Nick Doody shared some intelligent one-liners about the phenomenon tat was Jevin before his impressively sharp stand-up set; while Mitch Benn was the Elton John of the gig, literally singing Jevin’s praises in an emotional ballad. Elsewhere Al Murray’s desperate beer-fuelled grief added an appealing layer of pathos to his usually boorish Pub Landlord, though he was still as commandeering as ever.

It was not only memories of Jevin that took Murray back. He also reprised his largely forgotten role from the mid-Nineties as drummer with the world’s first Jewish heavy metal band, Guns N Moses, alongside Dave Cohen, aka Ax’l Rosenberg.

Not everyone shared personal memories, some just did their act by way of tribute. Simon Evans sneered at the Welsh in his archly supercilious way, while Tony Law was delightfully bonkers in the opening slot, making no bones about his lack of so-called ‘material’, hilarious through his honesty.

But if that seemed insane, it was nothing as to Bridget Christie in her new guise of Louise Mensch, the Tory MP for East Norhamptonshire, complete with ridiculous mask, vividly bright wig, wartime tin hat, Richard III stoop and coal-eating baby. ‘Underplayed’ clearly isn’t in her vocabulary. The destruction of the politician’s supposed feminist ideals was as complete as it was shambolic – though that, Christie is eager to assure us, is entirely planned.

The rasping pensioner Barry From Watford is a character in roughly the same mould, and though his ancient gags fell on stony ground, his take on the creepily rubbish ventriloquist act is a delight. Soon afterwards, in just two imaginative, brilliantly executed skits, The Trap reminded us why they are one of the funniest and most inventive sketch groups ever. Broadcasters should hang their head in shame not to have them on air.

Among all the veterans, Twitter wit Moose Allain made his stand-up debut – and although his nerves were obvious as he read his tribute, the writing, honed by the discipline of sticking to a 140-character limit, was impressive, full of unexpectedly twisting punchlines and sharp turns of phrase.

This is the sort of night – more normally found at the Edinburgh Fringe – that showcases the best stand-up can be – an inventive, playful one-off, taking a simple gag stupidly far, but with creative flair. The only misstep, really, was The Beatles – a booking that must have been made for the gag of having that name on the bill. But playing five or six cover versions, perfectly straight, meant this tribute act outstayed their welcome on a comedy bill, as the increasingly apathetic call-and-response sections attested.

But that was the only hiccup in a fantastic, never-to-be-repeated night. To paraphrase a joke of Doody’s, had Jevin been here, he would surely have been made up.

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Sad to say he's just boring and old hat. His songs are not very funny.

not funny, July 2011

Not funny at all anymore, "punch lines" too few and far between for the 3 mins song to be worth listening too.

lolo, June 2011

His attempt to turn tTitter to his bank account's advantage smack of desperation, as do the jokes in his Twitter 'History' book - an entire lift, almost, of 'The Wastepaper Basket Diaries'. What a careerist, uninspiring comic he truly his.

Mandy Allan, January 2010

I just don't think he's very funny. His songs are the lowlights of the (already pretty smug and unfunny) Now Show on Radio 4. His parodies of different styles are clever. His jokes are not.

Matt M, January 2008

Seen him several times now and his songs are funny and clever and after introducing him to several friends I am smug in the fact that they loved him too! keep rocking the house!

Sp, February 2007

Saw him at our Student Union in Aberystwyth after listening to many, many hours of his material on Radio4. And after delighting the crowd with a song about our very town, he proceeded to absolutely rock the joint. We were still grinning with mirth afterwards. A class act, to say the least. Go and see this man. Gold!

Benita, December 2006

Have been a dedicated Mitch fan for years now. Finally got to see him live last year at the Comedy Club in Bristol. He's a complete genius & his songs are so cleverly written and sung. Rock on, mate

Em, July 2006

If he hates James Blunt and boy bands why give them publicity by singing about them? An absolutely awful act with contrived material

Rich Dudley, June 2006

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