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Her Master's Voice
Her Master's VoiceSXSW 2012 trailer |
| More Her Master's Voice videos |
| Her Master's Voice |
Acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to 'Venthaven', the resting place for puppets of dead ventriloquists.
She gets to know her traveling partners along the way, and through them deconstructs both herself and her lost love in this ventriloquial docu-mocumentary requiem.
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Her Master's Voice |
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![]() Documentaries these days always seem to have to feature someone going on a ‘personal journey’ … and Nina Conti’s award-winning film is no exception. Her Master’s Voice follows her to a ventriloquists’ convention and museum in Kentucky. But there is a twist: she’s accompanied by the dummies that once belonged to her mentor, alternative theatre legend Ken Campbell – including a bulldog, an arch horror-film villain, and a puppet version of himself. On one level, then, this is a affectionate homage to the rather strange characters who have chosen to dedicate their life to an unfashionable form of entertainment; a career that involves separating their character into separate personalities, which may not be entirely healthy for the mind. Because of that, the talking heads sections are reminiscent of Christopher Guest’s quirkily witty ensemble comedies such as Best In Show, with eccentricities revealed in the briefest of soundbites… and even he must agree, as the acclaimed filmmaker put his name to the film as executive producer. But in every other respect Her Master’s Voice – which won the the audience award at the SXSW festival in Texas earlier this year – is unmistakably Conti’s work. She produced, directed and funded the entire venture – which although demanding, allowed her to make the film she wanted. For this is also an exploration her own relationship with both Campbell and the alter-egos she distils into the foam-and-fur props like the acerbic Monkey or wise Scottish Gran. All of them are voices in her head, and she tries to engage with them to determine what they all mean, and why she can only confront certain issues via these alternate personalities. So she muses on the nature of self – her talent meaning she can uniquely provide the voiceover narrative in real time, commenting on herself mulling over events as she lies in bed. She’s not afraid to touch on some personal topics with this, even if her trip, or film, doesn’t quite seem to resolve them. There’s not such a clean beginning, middle and end to this film – or indeed this life – that perhaps she was hoping for. It’s part of the sometimes disorientatingly offbeat attitude of Conti’s film debut, which swings from the melancholic to the dryly humorous in less time it takes to say ‘gottle of gear’.
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| Date of live review: Sunday 10th Jun, '12 | |
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Review by Steve Bennett |
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A really extraordiary piece of work, unlike anything else i have ever seen. Could almost be a masterpiece of TV. It's definitely very, very funny indeed. Rick Anstis, June 2012 |
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I found this film to be funny, intelligent, warm, touching and brilliant. What an amazing film. I can't wait to see more. Mike Belgrave, June 2012 |
The Crack
Nina Conti and Micky Flanagan
BBC New Comedy Awards Grand Final 2002
The Comedy Clone
Leicester Comedy Festival 2003 preview show
Nina Conti: Complete And Utter Conti
Nina Conti: Evolution
Wayne Brady gala
Nina Conti: Talk To The Hand
Nina Conti: Dolly Mixtures
