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Pete Johansson: Utopian Crack Pipe
Pete's latest show witnesses his growth via a new type of undressing of his personal values as he ages. After the analysis he gave his body in the Edinburgh Comedy Award nominated 2009 show Naked Pictures of my Life, he's now focusing on transitional values, the less obvious mental and moral decay of getting older and the addiction he has trying to make the world a better place.
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Pete Johansson: Fringe 2012 |
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![]() The official blurb for Pete Johansson’s third Edinburgh show explains: ‘He's now focusing on transitional values, the less obvious mental and moral decay of getting older and the addiction he has trying to make the world a better place.’ Is it heck. It’s a show about bears. How very Canadian. He’s got some very good, if delightfully quirky, ideas about how the caniforms could be employed for the betterment of society, whether as reality TV stars, clearing gypsy sites (not very PC that bit), or as police support. And who can’t imagine a bear in a cop’s hat and smile? But there’s an odd atmosphere in the Underbelly’s Dairy Room on this quietish Tuesday night, which Johansson never quite overcomes. His response seem to be to push through quickly, leaving no room for audience to start doubting the material, but also leaving them behind. They were too slow boarding his whimsy train, and now it’s fast steaming away from the station without them. The result is a rather unforgiving onslaught of quirky bear facts, jokes and suggestions that don’t quite land, fascinating or funny though they are. And since he’s so committed to the apparently limited theme, it’s a nagging problem. More engaging are his personal tales, especially of how his mother found his collection of Hustler magazines and – in the same way as you might teach a lesson to a child caught smoking – made him examine every photograph in minute detail, thus ruining porn for him forever. Still, he seems to have done all right with women, having married a model, and the consequences of that produce yet another strong routine that’s funny, but with an edge. It’s frustrating that the show as a whole doesn’t work better than it did, which might just be a consequence of tonight’s strange energy, as Johansson’s normally such a reliable comedian, with spot-on delivery. These are well-written pieces with a purpose, even if he does over-egg the ursine theme, and a tender payoff makes good sense of all that has gone before. Just bear with him.
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| Date of live review: Thursday 16th Aug, '12 | |
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Review by Steve Bennett |
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