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Jack Mink At World's End
Jack Offline
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James Dowdeswell: When I Grew Up I Wanted To Be Kenny Everett And Other Stories
James Sherwood: At The Piano
Jamie Kilstein: Revenge of the Serfs
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Jarlath Regan: A Man Of Very Little Mystery
Jason Byrne: The Byrne Supremacy
Jason Cook: Fear
Jason Cook: My Confessions [2009]
Jason Coughlan: Exposed
Jason John Whitehead: Emotional Whitemale
Jason Manford & Friends at the Fringe
Jeff Kreisler's Get Rich Cheating
Jem Brookes: Topical Fish
Jerry Sadowitz: Comedian, Magician, Psychopath 2009
Jessica Delfino: I Wanna Be Famous
Jessica Fostekew and Dan Thompson: Pecker and Foof Save The World
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Jim Smallman Is... Boy Next Door Gone Wrong
Jimmy Carr: Rapier Wit
Jimmy McGhie’s Northern Meeting
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Jo Caulfield Won't Shut Up
Jo Romero: Touched For The Very First Time
Joey Page: Eccentric Treasure Of The Future
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John Bishop: Elvis Has Left The Building
John Caplis: Staff Room Stories
John Gordillo: Fuckonomics
John Hegley: The Adventures of Monsieur Robinet
John Robins: Skinny Love
John Shuttleworth: Southern Softies
Join The Stand-up Freemasons
JoJo Sutherland Stands Up For Herself
Jokes From The Underground
Jollie: Abreast Of Culture
Jon Holmes: Rock Star Babylon
Jon Richardson: This Guy At Night
Jonathan Mayor And Auxiliary Heterosexuals
Jonny Sweet: Mostly About Arthur
Julian Clary: Lord Of The Mince
Julie Jepson: Inner Badger
Just A Minute [Fringe 2009]
Just Sketch Better!
Just The Tonic Comedy Club Midnight Show
Justin Moorhouse: Seven
Show Details
Jason John Whitehead: Emotional Whitemale
Show type: Edinburgh Fringe 2009
Starring Comic:
Jason John Whitehead

Jason John Whitehead: Emotional Whitemale


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Description

Acclaimed Canadian Whitehead is back. He'll be performing his trademark passionate, confessional stand-up on life, love, destiny and displeasures.

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Reviews

Jason John Whitehead: Emotional Whitemale - Fringe 2009
Live Review

Jason John Whitehead: Emotional Whitemale rated 3/5

In previous years, Jason John Whitehead has suffered from ‘Andy Parsons Syndrome’. That is to say if you weren’t partial to his voice, you were a bit stuffed for fully enjoying his comedy. These days the high-pitched hilarity has calmed a significant amount and it’s easier to hear the moments of inspiration of which he is capable.

The show opens with a video sequence of a superhero chasing a stereotypical Victorian villain who has stolen a distressed damsel’s tickets to see JJW, all parts played by himself. US comics Eugene Mirman and Kristen Schaal have produced similar, deliberately amateur, short films over the years but while they often have surreal and ludicrous touches, Whitehead’s was disappointingly straightforward and a rather flat start to proceedings.

Cupping his hand round his microphone and occasionally standing on some empty chairs on the front row for emphasis, Whitehead opens by saying that since Michael Jackson’s early death he has been asking some serious questions of his own life.

He attempts to answer them after mathematically demonstrating that Jackson’s life was on the right side of cool when he died. Just. This enjoyable sequence had a freshness to it that was absent elsewhere. Particularly unoriginal was his routine about drugs and assertion that all criminals should do them to limit their activities. Here was a tepid version of routines better done by comics more brash and experienced – and dead.

Luckily for Whitehead and his audience his success rate for turning around laboured and tenuous routines with a punchline or aside, was over 50 per cent. There were things to be admired; for example his assertion that his libido is running low, although you feel he could have made more of this confessional start. Equally his literally hands-on approach to disciplining the naughty children of others showed flashes of originality, narrowly avoiding an over-contrived ending.

Four o’clock in the afternoon is probably not the best time for a JJW show, as he himself remarks. Right time, wrong place, perhaps. Certainly not all the factors that need to align for a top-notch set have done so for the likeable Canadian.

Date of live review: Sunday 9th Aug, '09
Review by Julian Hall
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