I, too, saw this at the Royal Exchange just before it moved to Edinburgh. Excellent! I concur with the suggestion that the monologues should be published. I understand - maybe incorrectly - that Daniel Kitson is concerned about producing filmed material so, as I've not seen some of his earlier work, a written version would be great - and completely under his control. It certainly worked for the late Ken Campbell whose work remains in print - and all of which I've purchased!

Ben, June 2010

Sorry for the hyperbole, but Kitson truly is one of this country's creative powerhouses - this year alone I've seen his stunning and thought provoking Impotent Fury of the Privileged, a show that he dumped after the Aussie tour, a mere four months of existence, how many comedians would do that? Then, at the final performance of Impotent Fury in Regents Park he produced a one off story telling piece, with help from his friend and troubador, Gavin Osborn - he did the same at Regents Park last year and again produced something wonderful, and unique (quite literally). So, to 66a Church Road, and has he bitten off more than he can chew? Of course not, his third new piece in six months serves only to cement his reputation as a master of the theatrical monologue - as with Impotent Fury, and most of his work, his frustration at the lack of sensitivity and feeling in society shines through, but is focussed mainly on one person, his lazy and greedy landlord - the trials and tribulations his nemesis makes him endure over what should have been a relatively simple process between vendor and buyer are wonderfully illustrated by Kitson's eye for the smallest details, and his, as always, sheer mastery of language. Funny, moving, packed with wit and pathos, this piece is a sheer joy. Daniel really should get his monologues published, I would certainly buy them.

Andy Bean, August 2008

An incredibly beautiful and touching performance that stays with you long after you leave the theatre and the wonderfully intricate set behind. The most mature show I've seen from Daniel, who had moved my girlfriend to tears by the end of a show that contained so many genuine belly-laughs. If you didn't enjoy this show, get back in your personalised green mini and cock off.

Alexis, August 2008

Extraordinary. The density and complexity of the prose, the pitch of the performance, the finely judged structure of the show are all perfect. Just when you think he can't get any better, he does. Some years ago he wrote that even before he returned for yet another festival, Edinburgh would keep him awake - not because of the pressures of money, PRs, awards and all the other paraphernalia that goes with the Fringe, but because he wanted, more than anything, for his show to be amazing. This show is. It is a wonderful wonderful achievement, so hopefully he's getting some sleep.

Sally, August 2008

Had the privilege of seeing this show in Manchester prior to its Edinburgh run and what a work of genius it is. DK continues to set standards of storytelling other comedians can only dream about and I urge everybody who reads this to do everything possible to see this show

Mugsy, August 2008