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Maeve Higgins: My News
Make Me An Offer
Manos The Greek
Marc Maron & Kirk Fox
Marcia Brown: The Unsung Diva!
Marcus Brigstocke [2007 Fringe]
Marcus Clarke Is The Puppet Maker
Mark Allen's Mob Logic
Mark Dolan: I’m Here To Help!
Mark Olver: Say Something
Mark Watson: Can I Briefly Talk To You About The Point Of Life
Mark Watson's 24 Hour Jamboree To Save The Planet
Markus Birdman: Son Of A Preacher Man
Martha McBrier: So You Think You're A Good Heckler
Martin Soan: Soan Alone
Martin White: Do Something, Martin!
Matt Forde's On Heat
Matt Hollins: Life In The Bus Lane
Maxwell's Full Mooners [2007 Fringe]
Mel Barnes: Churchill Stole My Soundbite
Men Of Steel
Men With Bananas... Demonstrate Handy Survival Tips
Men With Bananas: Bananageddon
Mercer Island Rodeo
Merle Handsome's Late Night Comedy Extravaganza
Mervyn Stutter's Pick OfThe Fringe [2007]
Michael Jerrarde: Gifted
Michael McIntyre: Live At The Pleasance
Mick McGrath
Mickey D: Shame 101 [Fringe 2007]
Micky Flanagan: What Chance Change?
Midnight @ The Tron
Mike Belgrave: Bunker Thinks He's Hunter
Mike Belgrave: Raised 2B Stupid
Mike Manera: Live! At The Free Festival
Mike Wilkinson: Life And Death
Miles Jupp: Everyday Rage And Dinner Party Chit-Chat
Minor Spectacular
Mitch and Eric Show
Mitch Benn's Music Club
Mixt Nutz [2007]
Mowten: Life Changing Comedy
Mrs Barbara Nice: Hiya And Higher
Murray Lachlan Young
Mysketch: Free
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Maeve Higgins: My News
Haha Yum was delicious, but Lilly is busy painting and the funnies are pretty sweet on their own. Come hear my news, it's true and good.
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Original Review:
Maeve Higgins is here to demonstrate how to do Irish charm. She’s not daft, she doesn’t lay it on with a trowel, dimpling and twinkling away, hers is probably the most natural and uncontrived performance you could wish for. My News draws its title from the classroom practice in Ireland (and I think the UK) where on a Monday morning in infant school you’d be expected to write ‘my news’ in your book for the class. As it’s children’s writing, you expect nothing extraordinary, the occasional unintentionally indiscreet revelation, or a ‘we had fish fingers for breakfast’ break in routine. Her analogy is perfect for this show. She doesn’t do ‘deep’, she doesn’t do ‘in your face’. Taking her cue from poet P J Kavanagh, she celebrates the mundane and looks for the beauty in ordinary life. Her quiet, musical voice describes elements of her family, the dangers of starting a conversation with a stranger on a train, and so much more – the problem is that this done so conversationally, so modestly that it’s feels like listening to a someone from work chatting away; at first you’re genuinely interested, but after a while it’s hard to maintain concentration. There’s little change in pace or rhythm, except for a diversion into a brief, quirky (read bonkers) re-enactment an Irish classic using recycled waste puppets It’s a sweet show, plenty of constant giggling and smiling, but you could almost have the same content in chat in a cosy bar with Maeve as the endearing host. For a show in a prestigious venue at the world’s biggest arts festival, this really is a bit too minimalist. Reviewed by: Julian Chambers |
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