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The story is that Magic Steve, the conjurer, has not turned
up to entertain us, leaving lovely assistant Annette Cadabra
to fill for time. 'I'm like the new Debbie McGee only better
coz I'm allowed to talk'
The relatively inexperienced Isabel Fay gives a barnstorming
performance of her own superbly crafted script. She keeps a thin
idea going strongly for 55 minutes by pulling out all the stops
in plot, character and 'bits of business'. It reminded me of
Groundhog Day - a single tiny idea which should not work, but
triumphantly does.
Our lovely but vulnerable assistant has a soft Wiltshire accent
with an excited schoolgirl enthusiasm for showbiz and her own
sparkly success: she is an innocent wide-eyed, gossipy but talentless
wannabe who wants to make very bestest friends with the audience.
So innocently enthusiastic is she that she is unaware (but
the audience is) of dark elements in Magic Steve's character
and acquaintances. But occasionally, she flips into a hard-eyed
catatonic stare and intones in a blank monotone: 'I must not
tell Steve that Frank's got Cynthia'; a hook that is not fully-enough
resolved at the end but still keeps you intrigued.
The joy of this show is that it is about an unsubtle airhead
but is scripted with extreme subtlety, with a controlled performance
to match. With audience participation, magic tricks, Polaroid
photos passed round the audience and even a singalong with hairbrushes,
this is an extraordinary calling card by Fay. Pure magic.
John Fleming