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Damian Clark: The Bandit
Dan Clark: Erotic Neurotic
Dan Tetsell: Sins of The Grandfathers
Daniel Kitson @ The Stand
Danny Bhoy
Danny Hurst: Uneasy Rider
Danny James: Radio Blah Blah
Dara O'Briain
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David O'Doherty: Grown Up
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Demetri Martin: These Are Jokes
Des Clarke: 3 Little Gigs
Desperately Seeking Sorrow
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Dirty Fan Male
DJ Danny
Durham Revue: Battered Wives and Chips
Dutch Elm Conservatoire in Conspiracy
Dwight Slade
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Dan Clark: Erotic Neurotic
Following his critically acclaimed 2003 debut 57 Minutes, comedian Dan Clark returns to the Edinburgh Festival Fringe this year with a brand new show. Erotic Neurotic is a delightfully silly, up beat, and breathtakingly honest hour of stand-up comedy that delves into the complex mass of neuroses and obsessions found in the mind of a modern man.
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Original Review:
Clean-cut stand-up Dan Clark does a little bit of everything in this show, but nothing particularly well. Throughout the hour, he offers observational routines, surreal material and a few comedy songs, but nothing really strikes as being outstanding. Erotic Neurotic seems to be the nickname that Clark has given himself, although the reasons why are not entirely clear. This suggested combination of the sexual and the weird would suit an act that did seem genuinely strange, but Clark appears a normal enough guy. Any quirks he does convey are calculated, used as a bizarre twist to a normal - even dated - set-up. In this sense, Clark has hit upon some nice ideas. More than once, a routine superficially seems as old as time before he drives it in an entirely new and unexpected direction. However, even if a flare of originality occasionally surprises, Clark too often pays off gags with some terrible punchlines. In an early routine about handshakes, for example, the length of the preamble demands a large concluding laugh, which doesn’t materialise. Clark moves into more familiar territory with discussions of easyJet and the sexualisation of children’s television. The latter, at least, is a well-written and effective bit of observational comedy, but jars against the surreal subversions we had earlier been presented with. By the time the show reaches its finale, its inherent flaws have already become glaring. There are some glimmers of hope and interest scattered across the hour, but j nothing is concentrated enough to make this worth recommending. The only lasting impression that Clark creates is that of a comic with little sense of his comic self, attempting to encompass everything in the hope of latching on to something that works. |
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Saw Dan at a Pub Gig in Gloucester, died a horrible death, just not funny in this situation. N Hill, February 2007 |

