Change »
Edinburgh Fringe 2000 (59)
Edinburgh Fringe 2001 (316)
Edinburgh Fringe 2002 (354)
Edinburgh Fringe 2003 (376)Edinburgh Fringe 2004 (422)
Edinburgh Fringe 2005 (415)
Edinburgh Fringe 2006 (547)
Edinburgh Fringe 2007 (668)
Edinburgh Fringe 2008 (733)
Edinburgh Fringe 2009 (773)
Edinburgh Fringe 2010 (927)
Edinburgh Fringe 2011 (963)
Edinburgh Fringe 2012 (1022)
Edinburgh Fringe 2013 (740)
Melbourne 2005 (26)
Melbourne 2006 (29)
Melbourne 2007 (31)
Melbourne 2008 (36)
Melbourne 2009 (36)
Melbourne 2010 (56)
Melbourne 2011 (36)
Melbourne 2012 (46)
Melbourne 2013 (57)
Misc live shows (204)
Montreal 2004 (6)
Montreal 2006 (10)
Montreal 2007 (15)
Montreal 2008 (17)
Montreal 2009 (17)
Theatre (28)
Tour (240)
West End run (14)
See Less »
Parsons and Naylor's Pull-Out Sections
Paul Foot: Most Wanted
Paul McDermott, Cameron Bruce and Mick Moriarty ar
Paul Provenza: Myth America
Paul Tonkinson
Peepolykus: Let The Donkey Go
Peepolykus: Mind Bender
Perrier Comedy Awards Show
Phil Kay
Phil Nichol
Plat Du Nuit: Comeback Special
Playing For Reward
Point of Yes
Priorite A Gauche: Tour De Force
Puppetry Of The Penis
|
|
|
|
Paul Tonkinson
One of the best-known names on the comedy circuit. Tonks makes a welcome return to the Fringe for the first time since 1999.
|
Original Review:
When a comic's opening gambit is the tediously predictable "Where are you from? North Wales? Baa, baa..." you can only hope that things will start looking up. And indeed they do, but such a lazy exchange is indicative of Paul Tonkinson's willingness to stick shamelessly to the tired and tested if it offers him some sort of safety net. He frequently returns to the comfort zone of easy audience banter, or runs out a routine he's honed over the best part of a decade whenever he feels the new material needs a bit of a prop. Not that the new stuff really needs much help; if nothing else, the solid observational anecdotes can be relied upon to get the audience laughing. Again, Tonks still plays it safe with tales of his Yorkshire childhood, extended routines about sexual practices and a bit of regional stereotyping - but it works. And that's because, above all, Tonkinson's technique is faultless. He bounds animatedly around the space, delivers with perfect rhythm and puts his all into the silly voices and caricatured impressions of the folk who populate his tales. It's the mark of a real pro that he can transfer so much energy into the audience, even one as sparse as tonight's was. And it's fair to say he stormed it, making us forget how few we were. If only the material was as exciting as the performance, though. This Fringe run - Tonkinson's first in four years - is, presumably, an attempt raise his profile after a lacklustre TV career. But if he wants to expand his range beyond the Jongleurs circuit where he is already an established feature, he really ought to be taking a few more risks. |
|
We ached with laughter. If you haven't been yet - hurry, it's fantastic. Thank you for the laughs Paul Carol, August 2003 |

