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Natalie Haynes: Troubled Enough
Nice Mum Are Chocolate Benders
Nicholas Parsons as WS Gilbert: A Great Victorian
Nicholas Parsons Happy Hour
Nick Revell: Bare Bones
Nige: Cigs, Drugs and Rock 'n' Roll
Nina Conti and Micky Flanagan
Nokia Orange Best of the Fest 2003
Norman Lovett and Kitty
Not Richard Belzer
Show type: Edinburgh Fringe 2003
This year the Footlights celebrate 120 years of comedy with a new exciting and fresh show Non-Sexual Kissing
The Cambridge Footlights have produced another exquisitely crafted comedy of quirky discomfort, beautifully performed and boasting a wealth of wry, left-field comments guaranteed to amuse.
Structured as a series of playlets all taking place in the same block of flats, the show shuffles back and forth between the parallel stories, keeping the pace moving briskly along.
Among others, we have the wife leaving her touchingly naive husband, the friends waiting to spring a surprise party, the mischievous kids on the roof and the old man visited by a series of possibly well-meaning carers. The characters are all brilliantly realised and weave easily in and out of each storyline.
But the format prevents the show taking off into full-blown hilarity. And while there are great lines, none of the people we meet are groteque enough to really raise the laughter in the same way, say, David Brent does in the similarly underplayed Office.
The closest, perhaps, is the know-it-all party guest, who has to be the centre of attention no matter what. His scenes are the closest to really taking off, to making that leap from smiling respect to laugh-out-loud funny.
The other characters have a litany of defects, from the gloriously self-deluded karaoke singer to the returning traveller who shrugs a "thanks" of acknowledgment to any comment, irregardless of its intent.
No one could leave this show unimpressed with the talent on display, and there is no sign of the self-satisfied smugness that has been known to pervade previous Footlights shows.
Instead, the team seduce the audience into their consistent, self-contained world that allows the laughs to emerge naturally from the utterly believable characters. The show ends on a disconcertingly flat note, but that's a rare lapse for the otherwise surefooted team.
Brilliantly talented actors, well written, saw this in Edinburgh and thoroughly enjoyed the performance. I am sure will will here more of these actors.
A very funny show, saw it in Cambridge. Go and laugh all night. A great new talent for comedy writing and great new songs
A brilliant hour of comedy. Footlights get a lot of (undeserved) critisism and stick, but this year is as fresh and funny as ever, with great sketches and performance.