Change »
Edinburgh Fringe 2000 (59)
Edinburgh Fringe 2001 (316)
Edinburgh Fringe 2002 (354)
Edinburgh Fringe 2003 (376)Edinburgh Fringe 2004 (422)
Edinburgh Fringe 2005 (415)
Edinburgh Fringe 2006 (547)
Edinburgh Fringe 2007 (668)
Edinburgh Fringe 2008 (733)
Edinburgh Fringe 2009 (773)
Edinburgh Fringe 2010 (927)
Edinburgh Fringe 2011 (963)
Edinburgh Fringe 2012 (1022)
Edinburgh Fringe 2013 (726)
Melbourne 2005 (26)
Melbourne 2006 (29)
Melbourne 2007 (31)
Melbourne 2008 (36)
Melbourne 2009 (36)
Melbourne 2010 (56)
Melbourne 2011 (36)
Melbourne 2012 (46)
Melbourne 2013 (57)
Misc live shows (203)
Montreal 2004 (6)
Montreal 2006 (10)
Montreal 2007 (15)
Montreal 2008 (17)
Montreal 2009 (17)
Theatre (28)
Tour (240)
West End run (14)
See Less »
James Campbell: Comedy 4 Kids
James Dowdeswell Explores Dowdesworld
James Goldsbury - Nothing
Japan Experience: Gay Samurai Revue
Jason Bradbury: Breakdance Therapy
Jason Byrne
Jason Byrne Hates...
Jason John Whitehead: Serious Dude
Jason Wood Gets His Hits Out For The Lads!
Jay Sodagar: Life Ain't Hard
Jeff Mirza: Walking With Muslims
Jeremy Lion's Happy Christmas
Jerry Sadowitz: Midnight Show
Jimmy Carr: Charm Offensive
Jo Brand
Jo Caulfield
John Bishop: Freefall
John Hegley's Packed Lunch
John Moynes: How I Became A Real Boy
John Oliver
John Ryan Isn't Normal?
John Shuttleworth: Pillock Of The Community
Jongleurs Comedy Show
Julia Morris: Will You Kids Get Out Of That Pool P
Julian Clary: Natural Born Mincer
Just A Minute
Just The Tonic Comedy Club Late Nights
|
Show type: Edinburgh Fringe 2003
|
|
|
John Moynes: How I Became A Real Boy
Ever been stuck in a Fringe show that seems a little flat? Longed to see another dimension? Then perhaps you will indentify with the hero of John Moynes' new play.
|
Original Review:
Irish comic John Moynes' first one-man Edinburgh show is a strange affair. It is the illustrated tale of a comic book character who, in a 35-minute narrative reminiscent of Stephen King's The Dark Half, escapes from the confines of his comic book, kills his creator and becomes human. The character works as an assistant librarian, a job that Moynes himself seems well-suited to. Self-deprecating and nervous, he makes little eye contact with his audience, preferring instead to stare into the middle distance, while his delivery is monotonal and wholly unexpressive. This is a shame, as much of his material is well-written and potentially very funny. There are no traditional gags - rather, wry and sardonic anecdotes about religion, adolescence and library users, which if related in a more animated way would raise several big laughs. Told as they are, they barely draw a smirk from the ten-strong crowd, who are virtually ignored throughout. The only spot of interaction occurs when two latecomers arrive. 'I would start again,' Moynes explains to them, 'but it wasn't very good.' Though this may be irony, his lack of confidence in the show is palpable, preventing the audience from feeling comfortable. Moynes' earnest demeanour and likeability mean they sit in polite silence, sneaking glances at their watches as the comic launches into another samey-sounding tale while flipping over mildly interesting black-and-white sketches. 'Ever been stuck in a Fringe show that seems a little flat?' the press blurb for the production asks. It is sadly prophetic. |
No comments are currently available for this show. |

