Change »
Edinburgh Fringe 2000 (59)
Edinburgh Fringe 2001 (316)
Edinburgh Fringe 2002 (354)
Edinburgh Fringe 2003 (376)
Edinburgh Fringe 2004 (422)
Edinburgh Fringe 2005 (415)
Edinburgh Fringe 2006 (547)
Edinburgh Fringe 2007 (668)
Edinburgh Fringe 2008 (733)
Edinburgh Fringe 2009 (773)
Edinburgh Fringe 2010 (927)
Edinburgh Fringe 2011 (963)
Edinburgh Fringe 2012 (1022)
Edinburgh Fringe 2013 (740)
Melbourne 2005 (26)
Melbourne 2006 (29)
Melbourne 2007 (31)
Melbourne 2008 (36)
Melbourne 2009 (36)
Melbourne 2010 (56)
Melbourne 2011 (36)
Melbourne 2012 (46)Melbourne 2013 (57)
Misc live shows (204)
Montreal 2004 (6)
Montreal 2006 (10)
Montreal 2007 (15)
Montreal 2008 (17)
Montreal 2009 (17)
Theatre (28)
Tour (240)
West End run (14)
See Less »
Nick Coyle: Me Pregnant!
|
Show type: Melbourne 2012
|
|
|
Nick Coyle: Me Pregnant!
Hey, Melbourne, there is a monster in the forest!
And by monster I mean person and by forest I mean Comedy Festival!
After a sell-out season at the Melbourne Fringe Festival, Nick Coyle (One third of Pig Island – Simply Fancy, The Glass Boat) presents his first solo show: Me Pregnant! in which he plays Emeline, a cursed nerd, and the orphaned monster trying to kill her. A medieval revenge comedy. Finally!
|
Nick Coyle: Me Pregnant! |
![]() |
![]() Nick Coyle is like a drama school student who’s seen the brilliant Pajama Men and thought 'I could do that!' Erroneously, as it turns out. Me Pregnant! is described as a ‘medieval revenge comedy’, in which Coyle takes the role of a minstrel – and every other character – recounting the legend of an evil goblin-monster bent on killing the villagers who slayed his mother. Prime target is geeky, lonely Emeline who led the mob, but is now shunned by the community. Despite being dressed in smock and blood-red tights, out troubadour takes his task very seriously. The yarn is spun in absolute earnest, any fun in the story cloaked in layers of melodrama. There are funny voices and funny walks but Coyle – a former member of the Pig Island troupe – plays it po-faced. This is more than enough for some members of the sparse audience, who guffaw loudly at the very concept. Indeed, his physicality or performance can be fleetingly funny, but it’s thin rewards for a plodding plot, drearily presented. Coyle can occasionally coin a nifty phrase, especially from Emeline’s isolation, and the story finally wakes from its slumber about halfway through when the promise of what could have been becomes more clear. But it’s a show that seems smugly pleased with its own invention, while being light on genuinely clever chuckles. |
|
| Date of live review: Saturday 7th Apr, '12 | |
|
Review by Steve Bennett |
|
No comments are currently available for this show. |

