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Harley Breen: Personal Space
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Harley Breen: Personal Space
Show type: Melbourne 2010

Harley Breen: Personal Space


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Description

Harley Breen is fascinated by architecture and the spaces humans build - mainly because at 6 foot 4 and 110 kilos, he doesn't fit into many of them!

He's a Fred Flintstone-sized human living in a Bam-Bam world - and to prove it, he locked himself in a tiny bathroom for 42 hours and filmed the whole experience. Stand by for some - Seriously - Weird - Stories!

In this theatrical stand-up show, Harley re-enacts highlights from his night of exile on the tiles, and proves that while it's what inside that counts, it's the outside that does the talking.

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Reviews

Harley Breen: Personal Space
Live Review

Harley Breen: Personal Space
As a bold psychological experiment in the concepts of space and solitude, Harley Breen locked himself in a bathroom for 42 straight hours. What he learned… has almost nothing to do with this show.

Forget the high concept, this is an hour of affable stand-up interspersed with appealingly inept marionette work, as a tiny puppet version of the 6ft 4in Breen unconvincingly recreates those moments of confinement.

It’s a valiant attempt to make the hour seem more than the sum of its parts, as is the inclusion of an over-arching message, of sorts, about how life robs us of the ability to see wonder and joy in small things that we once had as children. But ‘we all have an inner naughty unicorn’ isn’t that convincing a theme, more an afterthought apparently tacked on following a disappointing visit to Sea Horse World while on the road in Tasmania.

Other routines cover his small-town upbringing, tales of drink and camping out in a storm, and recounting an ad hoc convention of ‘gingers’ that just about manages to skirt the easy jokes on the topic that have been so unfortunately prevalent this festival.

None of this will rock your world, but Breen’s damn good company with an irresistible stage presence. If you’re making a list of ‘comedians you wouldn’t mind having a pint with’, on this evidence he’d easily make the cut. He also, incidentally, makes for a convincing six-year-old girl as he relives that naïve innocence of youth.

Date of live review: Sunday 18th Apr, '10
Review by Steve Bennett
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