Change »
Edinburgh Fringe 2000 (59)
Edinburgh Fringe 2001 (316)
Edinburgh Fringe 2002 (354)
Edinburgh Fringe 2003 (376)
Edinburgh Fringe 2004 (422)
Edinburgh Fringe 2005 (415)
Edinburgh Fringe 2006 (547)
Edinburgh Fringe 2007 (668)
Edinburgh Fringe 2008 (733)
Edinburgh Fringe 2009 (773)
Edinburgh Fringe 2010 (927)Edinburgh Fringe 2011 (963)
Edinburgh Fringe 2012 (1022)
Edinburgh Fringe 2013 (726)
Melbourne 2005 (26)
Melbourne 2006 (29)
Melbourne 2007 (31)
Melbourne 2008 (36)
Melbourne 2009 (36)
Melbourne 2010 (56)
Melbourne 2011 (36)
Melbourne 2012 (46)
Melbourne 2013 (57)
Misc live shows (203)
Montreal 2004 (6)
Montreal 2006 (10)
Montreal 2007 (15)
Montreal 2008 (17)
Montreal 2009 (17)
Theatre (28)
Tour (240)
West End run (14)
See Less »
Ward and White's Project Ace
The Wau Wau Sisters' Last Supper
We Love Comedy
Wendy Wason In Other People's Secrets
Where There Is Muck There's Funny
Who is Jean? Presents Behind The Truth: More Lies
Whoopdebleedins$*t
Wil Hodgson: Punkanory
Window Lickin' Good
Wittank 2010
Working Class Zeroes
|
Show type: Edinburgh Fringe 2010
|
|
|
Window Lickin' Good
Sketch comedy combining an alumnus of the Reduced Shakespeare Company, the offspring of Brian Blessed and a genius with a penchant for monkeys and dwarves.
|
Window Lickin' Good |
![]() |
![]() Wow. With such a hideously offensive title such as this, you might be expecting an hour of shockingly near-the-knuckle humour with a diamond-hard edge. But no, this is just three grown people who think swearing alone is funny; where stringing juvenile expletives together is enough for a sketch – and not in the beautifully gothic way of something like The Thick Of It – and where ‘fuck off’ is a payoff for more than one scene. The only scene when this really work is one in which a writer embarks on some horse-trading with a BBC executive about how many ‘cocks’ he can keep in his script for every ‘bugger’ he has to lose for decency’s sake. Only trouble is Pete and Dud beat them to this idea by 40 years. It has the repetitive format this trio tend to favour, and again not in a good way. When Alan Partridge says ‘monkey tennis’ it’s funny because it’s a tragically desperate man grabbing at straws. When you set a scene in a struggling zoo and start putting random animals and sports together because it seems a bit surreal, it’s lazy. Writer-performers Rosalind Blessed, Tim Beckmann and Paul Handley – collectively from the troupe known as Fat Hammond’s Banjo Lounge – are decent actors, but have to contend with the sort of dialogue that never occurs in real life, full of exposition and over-reaction for comic effect. Blessed is the stand-out, especially good in bored, mundane roles, but still prone to overacting. So it comes as little surprise to learn later that her father is a certain Brian Blessed. Meanwhile, the blokes are former members of the sprawling Reduced Shakespeare Company franchise, which was never known for subtle acting, but did have a verve these three seem to be struggling to find, in an admittedly sparsely filled free venue, with noise pouring in from outside. There are a couple of more interesting sketches, especially the one which seems to be a kidnap scene but is subtly subverted. But too often lazy writing lets them down, leaving them floundering like an ill-conceived student revue. |
|
| Date of live review: Thursday 12th Aug, '10 | |
|
Review by Steve Bennett |
|
No comments are currently available for this show. |

