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Show type: Edinburgh Fringe 2010
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The Israeli-Palestinian Conflict: A Romantic Comedy
Edinburgh trailersraeli-Palestinian Conflict: A Romantic Comedy |
| More Israeli-Palestinian Conflict: A Romantic Comedy videos |
| Edinburgh trailer |
An American show that might just bring peace to the Middle East makes its European debut. The Israeli-Palestinian Conflict: A Romantic Comedy tracks the notorious Middle Eastern Conflict back to a botched one-night stand at the 1948 Geneva Convention.
The newly formed country and the aspiring territory totally had sex, then Israel didn’t call, then Palestine got angry, then Israel argued with Palestine’s friends, and then some land was occupied… But somewhere in the middle of all the chaos, in the middle of all the wars, and the embarrassing run-ins, rebound relationships, and pint-after-pint of ice cream therapy, Palestine and Israel may have found love.
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The Israeli-Palestinian Conflict: A Romantic Comedy |
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![]() Now is the time to bring out a massive sweeping statement, with absolutely no depth of knowledge, but this is probably the best show in PBH’s Free Fringe. For sheer energy, charisma, professionalism, wit and dash this show will not be beat. Performed by Negin Farsad, Iranian-American comedienne, and Mike Mossallam, this is the finished article and could easily be popped into a small theatre. Mossallam is blessed with the beaming smile of a genial idiot, not dissimilar to Jerry Lewis, but more attractive so you do credit him as a romantic lead. The story begins at the Geneva Convention of 1948 and the creation of a new country, working name Jewlandia. Mossallam plays Israel and a host of other characters – journalists, anchormen, rappers; Farsad is Palestine and a similar bunch of commentators. The gag of referring to countries as characters is not brand new, but this is the first time I’ve seen it made properly funny. The dialogue is so fast, filthy and smart, you’d believe Farsad and her co-writer Alex Zalben could have cut their teeth on Friends or any other massively popular US series. Using the best musical convention of boy meets girl, by happy accident they are thrown together, fall in love and are then ripped apart by external forces, this cracks along with some belting show unes and gritty rapping. The wonderful Farsad manages to play a range of roles with from dewy ingénue, to ball-breaking manager to teenage boy I confess I went along to this with sinking feeling from the title and was completely exhilarated by the experience. They have worked their backsides off to do this , and it’s a great calling card of a show.
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| Date of live review: Tuesday 24th Aug, '10 | |
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Review by Julia Chamberlain |
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