Edinburgh Fringe 2000 (60)
Edinburgh Fringe 2001 (316)
Edinburgh Fringe 2002 (354)
Edinburgh Fringe 2003 (376)
Edinburgh Fringe 2004 (422)
Edinburgh Fringe 2005 (415)
Edinburgh Fringe 2006 (548)
Edinburgh Fringe 2007 (668)
Edinburgh Fringe 2008 (734)
Edinburgh Fringe 2009 (775)
Edinburgh Fringe 2010 (5)
Melbourne 2005 (26)
Melbourne 2006 (29)
Melbourne 2007 (31)
Melbourne 2008 (36)
Melbourne 2009 (36)
Misc live shows (147)
Montreal 2004 (6)
Montreal 2006 (10)
Montreal 2007 (15)
Montreal 2008 (17)
Montreal 2009 (17)
Theatre (21)
Tour (133)
West End run (14)
Jake Yapp's Bum Notes
James Dowdeswell: No More Mr Nice Guy
James Hately & Friends: Stubble Busting
James Mason Is Not Bill Hicks & Bobby Carroll Ain't No Richard Pryor
James Sherwood's Songs of Music
Jamie Kilstein: There Is No God And That's OK
Janey Godley: Domestic Godley
Jarlath Regan: Relax The Cax
Jason Byrne: Cats Under Mats Having Chats With Bats
Jason Cook: Joy
Jason John Whitehead: The Joker
Jason Kavan: Tough Crowd
Jeff Green: Life Ache
Jeff Kreisler 08
Jenni Byrne
Jeremy Leverton: iStandup
Jerry Sadowitz: Comedian, Magician, Psychopath II
Jesus: The Guantanamo Years [2008]
Jim Bowen: Look At What You Could Have Won [2008]
Jim Jeffries: Hammered
Jimeoin On Ice
Jimmy Carr: Joke Technician
JL Roberts and Nadia Kamil Present Wisecrackin' Midsqueezin' Behemoth
Jo Caulfield: Two-Faced Bitch?
Joan Rivers Stand-up
Joan Rivers: A Work in Progress By a Life in Progress
Joanna Neary's Magic Hole
Jody Kamali: Backpacker 2
Joe Levi's Short Stories
Joey Page and Rich Brophy: The After Dinner Society
John Bishop: Cultural Ambassador
John Cooper : The 30 Year Itch
John Gordillo: Divide & Conga
John Hegley: Beyond Our Kennel
John Pinette: I Say Nay Nay
John Ryan: Hurt Until It Laughs
John Ryan: Those Young Minds
John Smith Free In Sick And Twisted
John Wheeler aka Barley Scotch
Johnny Candon: One Careless Lady Owner
Joke-E-Oke
Jollie: John and Ollie Stuck Together
Jon Richardson: Dogmatic
Jonathan Mayor: Glitter on the Dirt Road
Jonathan Prager's Comedy Free Festival Encore
Jonny & Joe Show
Josh Howie: Chosen
Josie Long And Special Guests Mucking About
Josie Long: All Of The Planet’s Wonders (Shown In Detail)
Journey Central Comedy Hour @ Meridian
Juliet Meyers: Strange Ears
Junk Band Story... Uh?!
Just A Minute [2008]
Justin Moorhouse’s Ever Decreasing Social Circle

The Jonny & Joe Show
The Jonny and Joe ShowPromo for Jonny Sweet and Joe Thomas's Edinburgh show |
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| The Jonny and Joe Show |
Following award-winning debut sketch show The Future, this ground-breaking double-act is back.
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Original Review: In theory, this sketch show has everything going for it. It’s original, with a distinctive, stylish feel, and performed with confidence by an obviously talented young double-act who already have one innovative Edinburgh show, The Future, to their names. The writing and execution is subtle, full of pregnant pauses and uncomfortable moments, and yet, and yet…While there’s loads to admire here, I didn’t actually find much of it funny, however much I wanted to. A minority – a sizeable minority, for sure – loved it, chuckling on cue with every embarrassed half-finished sentence, but I became increasingly frustrated waiting for the substantial promise of hilarity hanging over the venture to be fulfilled. Johnny Sweet and Joe Thomas don’t go in for characterisation much, always playing socially awkward middle-class people, whatever the situation. Johnny has a bemused, semi-idiotic smile almost permanently etched on his face, while the fresh-faced Joe has been in E4’s The Inbetweeners, which certainly seems to be helping them shift tickets. You instinctively want to like them both, bless their socially awkward personas. Whether a policeman and a killer making polite small-talk, or playing a game of Who Am I? with stupid, unhelpful questions, the show’s humour often lies in their struggle to communicate. That, or the strange physicality the duo sometimes indulge in. One scene is announced as their ‘unfinished sketch’, but the term could apply to a lot of them, with the innovative ideas the duo undoubtedly generate just left to hang there, not being properly exploited. Joe, for example, claims to have come up with a brand new shape. Which as a random non-sequiteur is pretty good. But then he draws it, and talks about it for a bit, which doesn’t add much until the concept peters out. Cue the blackout they use to get them out of a lot of ailing scenes. The show is certainly interesting, in that you can see the duo moulding their own ideas of what the malleable putty that is comedy should be. But ‘interesting’ doesn’t always get the job done, and, in this case, that’s a genuine shame. Reviewed by: Steve Bennett |
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Ian Rush's review I find spot on! What we need is a more open mind to comedy. Espically at The Edinburgh Festival. I found this show proved comedy really is an art form and be approched, produced and created in many different, equally interesting ways. I also failed to catch anything like the Johnny and Joe show anywhere else at the festival. I agree Iain. This is exactly what british comedy needs to see more of, people trying something different. As I am for one bored of the 'observations, sublimated sexism, racism, homophobia and bigotry dressed up as irony and religion bashing' which I am but used to with stand up/sitcoms/sketches recently. I really just hope they haven't been scared off by an ignorant quater of the audience members who shouted many awful words in the perfomers faces as they left half way during the show. Much love for Johnny and Show, I for one love their work. Although I do believe, the difference of opinions, might have a little something to do with generation. I hope to see more perfomances this year following in Johnny and Joe's footsteps and trying something new. Emma Berwick, May 2009 |
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I agree. Their show was boring and unfunny and I wish I'd joined the sensible third of the audience who walked out before it had ended on Saturday night. I want my ten pounds back. Cath, August 2008 |
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Your review of johnny and joe's show is the latest in a fairly long line of reviews you or your correspondents have written which fall in to the 'yes its very clever, but it doesn't make me laugh...' variety. 'Comedy' as a term encompasses a number of approaches and styles, without wanting to get into seminar pedantry, 'comedy' isn't all about jokes (ask Jerry Seinfeld, Ricky Gervais and Chris Morris), and there are many different kinds of laugh. I would far rather than spend 55 minutes with comedians like Johnny and Joe, ambitious comedians, prepared to use their slot to push the envelope, try something genuinely inventive and be prepared to try and fail. I found their show very funny, engaging, subtle and not so subtle in paces but overall one of the most inventive and, yes funny I have seen. I certainly prefer it to the glut of obvious, hackneyed, macho, cockwaving, or faux sensitive/confessional or at times downright plagiarising standups. they have their place, don't get me wrong and yes they would 'last longer than five minutes' in a club. I don't think Johnny and Joe would want to. But let's at least say this is one kind of comedy, and that there are an increasing number of audience members and acts who are trying to reach out to try something different. Often its work that deals with comedy itself, looks with a skewed eye at human relationships, often they are writers and comics who try (not always successfully) through their work to find form for the ineffable, the unsayable, barely comprehensible facets of human interaction, rather than repeating almost by rote tired and well worn comic 'observations'. sublimated sexism, racism, homophobia and bigotry dressed up as irony and religion bashing (i am an atheist) that by august 3 is about as dangerous as crazy paving and presented as smugly taboo smashing is starting to wear away at my will to live. Johnny and Joe's 'credit crunch' sketch/happening is one of the most spot on pieces of satire I've seen at this or any festival. I think great art allows you to see the world in a different way, Johnny and Joe do this, and I like the fact that they treat comedy as an art form. your review, Steve, I don't think really does their show justice. As I say the 'oh yes its very clever, but is it funny' approach is emblematic of quite a conservative approach to comedy that doesn't really get to grips with what Johnny and Joe are trying achieve on their own terms. I've read reviews like this on your site to many times alas, but with this show you have really, really missed the point. the sketches are intentionally unfinished, I think the two writer performers are deliberately eschewing the pat punchline and blackout beloved of other sketch groups. This works for some groups and that is fine for them, but this is an attempt at something different. the most elementary reading of this show would surely comprehend that this was a deliberate stylistic choice. don't like it on those terms, but don't suggest that they've forgotten to do some important unwritten rule of sketch comedy. you are right to observe that the show is about the difficulty of human communication (QED jonathan edge), its antecedents are not the fast show, or morecambe and wise (i own DVD box sets of both) but pinter and beckett, writers for whom communication between human beings is not incidental to the evening but its glaring central point. i think most people got that, the audience on the night i was there was split certainly but the overwhelming majority laughed along and took the piece on on its own terms.rnrnfor me johnny and joe are a breath of fresh air, i think their experiment is a success, very much what a festival should be about. for me they very much get the job done. 'yes its clever but it didn't make me laugh'... that's as maybe steve. but now as more and more acts try to experiment with form and react against comic 'norms'; and as audiences flock to shows like johnny and joe's, you might want to ask yourself why they are laughing. ian rush, August 2008 |
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Your review is spot-on. These guys are typical of trendy comedy. No substance. They are complete rubbish and would not last fivr minutes in a comedy club. Jonathan Edge, August 2008 |
