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Theatre (17)
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Sammy J: 58 Kilograms of Pure Entertainment
Sarah Kendall: My Very First Kidnapping
Scared Scriptless
School Of Comedy (Your Mother Wouldn't Like It)
Scott Clarkson: What Gets Me Is...
Scottish Falsetto Sock Puppet Theatre
Sean Hughes [2007]
Sean Lock [2007]
Sex and Violence: Free
Seymour Mace: Where's Batman? My Life As A Failed Superhero
Sh*tty Deal Puppet Theatre Company's Complete History of Oppressed People Everywhere!
Shappi Khorsandi: Carry On Shappi
Shazia Mirza
Shelley Cooper: Reality Cheque
Simon Amstell: No Self
Simon Brodkin: One Man Comedy Club
Simon Munnery: Annual General Meeting 2007
Sista She And The House Of The Holy Bootay
Skinner and Bell: Where Are Dave And Dave?
Skitzy
Slippery Soapbox: Spotbanded Skat
So You Think You're Funny? 2007 final
So You Think You're Funny? 2007 heats
Something About Sara
Sound Of Music Drag Show
Spank! [2007]
Special Reserve [2007]
Spinistry of Moonerism
Stan Stanley: Collywobbles
Stand Late Club
Stand Up For Animals
Stand Up For Freedom 2007
Steel & Simon Show
Stef's Sidesplitting Hypnosis
Stephen Carlin: Armchair Renaissance Man
Stephen De Martin is Poofloose
Stephen Grant: Taken For Granted
Stephen K Amos: More Of Me
Stephen K Amos: Weekend Talk Show
Stephen Long Is Not A Mind Reader
Steve Day: Deafy's Island Discs
Steve Hughes: Heavy Metal Comedy
Steve Williams: Binge Thinking
Steven Young: Battling Katrina And Other Nasty Water Nymphs
Stevie & Evie's Midnight Muck
Stewart Lee: 41st Best Stand-Up Ever
Storytellers' Club at the Establishment
Stuart Goldsmith and Jimmy McGhie
Stuckey & Murray's Mythical Fornication
Suitcase Royale: Chronicles Of A Sleepless Moon
Sunshine Variety Couch
Super Great Comedy Good Show
Swingers

Slippery Soapbox: Spotbanded Skat
Enter the world of the Slippery Soapbox and feast your eye(s) and ears on a cohesive comedy sketch show of epic proportions!
When Warren loses his best friend, his job, and his dignity he embarks on a quest to find the Spotbanded Skat. Along the way he’ll encounter rapping pirates, humous addicts, Lion King enthusiasts, and the fearless Captain Bluetooth.
Entirely new sketches, blended with an epic storyline, and drizzled with pioneering music and fresh beats.
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Original Review:
Shut Yo Face has created a sketch show for the Facebook generation. As with most of their fellow social networkers, they are full of fun and enthusiasm, but have a lot of growing still to do. Formed at Nottingham University in 2006, this seven-piece sketch comedy troupe have obviously received frighteningly high doses of theatre training. Described as a ‘cohesive comedy sketch show’, the Slippery Soapbox has a crafted storyline that many much more experienced sketch show writers would have been proud to have created. It was evident that the show had been well edited with very few scenes appearing to be shoehorned in because they were thought just too funny to drop, as is often the case. Heavily influenced by the Mighty Boosh, The Spotbanded Skat had some great surreal one-liners and silly wordplay that often poked fun at the absurdities of modern youth speak and culture. Using the delightfully absurd premise of down-on-his-luck flatmate Warren’s search for a mythical fish called the Spotbanded Skat, every scene showcased the performers’ wide range of skills and comedic talents. However that’s where the problem lay; not unlike watching a drama college end-of-year revue, Shut Yo Face took every opportunity available to dance, leap, pose and gurn – often to the detriment of the comedy. With more dramatic energy than the Kids From Fame on coke, it’s a real shame that their enthusiasm was allowed to become grating by the show’s unrelenting pace. Many of their best gags were left behind in a frantic race to move on to the next idea or overshadowed by some serious over-acting. Self-referencing nods to their ‘flimsy plot devices’, sketches about being ‘bitten by the acting bug’ and other drama school clichés were well received by the predominantly teenage thespian crowd but left other members of the audience underwhelmed. Similarly, the bizarrely incongruous dance routines served little but to showcase the troupe’s dance training and did nothing to add to the actual show. It’s clear they feel they need to prove themselves and, ironically, that’s where they let themselves down. You can’t help but feel that if they had more confidence in their excellent comedy writing they wouldn’t need to dress it up in over-elaborate performance. These are undoubtedly talented comedians who, if they can learn to relax (or appear to), will be stars of the future. Reviewed by: Becky Singh |
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Saw this at the Fringe. Mostly teenage girls in the audience and they seemed to like it Didn't do much for me though. Some sketches were above average but not many. D dante, August 2007 |

