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The fully choreographed fight/dance scene between two competing
groups of 'charity muggers' that opens Wit Tank instantly demonstrates
the skill of the performers, and their wonderful ideas.
The group eschew traditional themes and instead delve into
the depths of their imagination for new concepts. A sketch on
assertiveness training has people being tutored in how to react
to everyday situations with disproportionate violence, and it's
pure genius to portrays Postman Pat as a hard-boiled film-noir
detective. The cliches of noir are exploited wonderfully and
the juxtaposition of the kids' plot with the genre's stylings
has the audience creased with laughter.
Wit Tank are at its strongest when sticking to short and
quick skits, with some of the longer ones, such as 'the most
boring man in Britain competition' dragging on. A song about
STDs and a Matrix parody are well done but tread the well-worn
the team normally go out of its way to avoid. But these are in
the minority.
The show is well balanced, stylistically, with a mix of short
set-up and punchline sketches, and more surreal and experimental
ones that prevent it falling into a repetitive and predictable
rhythm, so keeping the audience surprised at every turn. And
there's a wonderfully observed gag at the end that brings things
full circle.
There are probably more original and fresh ideas in the first
ten minutes of Wit Tank than many sketch shows fit into an entire
hour, and while they don't all work, this is still well worth
seeing.