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Sabrina George - Postmodernism Comedy And Me
Sadie Nine: Sex, Drugs and Sausage Rolls
Searching For Harry
Shazia Mirza: Wish You Were Here?
Sheila Hamilton: My Granny Was A Leprechaun
Shelley Cooper: It Could Be You
Simon Farnaby: Lessons Learned Driving a Tractor
Simon Munnery's AGM
Simon Munnery: Buckethead
Simon Woodroffe - How I Got My Yo!
Skinny No Foam
Slaves Of Starbucks
sml Med LRG
So You Think You're Funny Final
So You Think You're Funny semi-finals
Sol Bernstein: Almost Alive II
Son Of Barnum: A Stunt Too Far
Sprout Presents Premiere
Stand Up For Freedom
Stephen K Amos
Steve Hughes At War With Satan
Steve Nallon's Adventures In Wonderland
Steven Alan Green: Service Not Included
Stickmen: Year One
Still Seriously Funny
Strange And Treacherous Comedy
Suki Webster: Body-Part Double
Sven Stacy: Showbiz Agent
Swearing Is Both Big And Clever
Stickmen: Year One
Gut-busting sketch show with astonishing narrative, rooted in a mind-blowing audience twist. Chilling vignettes ingeniously fragment, revealing a genuinely thrilling hidden agenda (Sshh) They'll seize your ribs and rattle them silly. From the director of Ubersaus
There are some great ideas in this ambitious, well-performed sketch show, but it is so wildly inconsistent in tone and quality that it's almost destined to fail.
In places it has a matey, chatty atmosphere, with easy banter between the performers. It even stoops to some Noel Edmonds-style messy, fake fun or to getting the audience to make silly animal noises in what would be an icebreaker had it not come at the end of the show.
Yet at other times Stickmen aims for dark, weird and horrific humour so clearly inspired by the likes of Chris Morris's Jam. It occasionally hits home, but when it fails, you're left squirming. And do we really need so many jokes where rape is the punchline?
The jarring switches between the styles are disconcerting, rather than surprising, and the intended effect is lost through repetition: once you've genuinely learned to expect the unexpected, the shock, and impact, is lost.
It's a shame that the mood is so uncomfortable because in its best moments, Stickmen offers some of the more inventive sketch ideas around. The Arbitrator is a classic over-the-top grotesque creation, as is the ridiculous Perceptive Imp. And the sight that greets you as you leave the theatre is an impressive touch.
The performers give their all, too, bringing energy and conviction where it's needed, but remained kyboshed by a script that provides as many failures as hits.
That this show is subtitled Year One is encouraging. There are enough promising signs that something genuinely great could emerge from this confused mish-mash, if they concentrate on getting the style to gradually ebb and flow rather than jolt.
As a work-in-progress for Year Two, it's fine, as a fully-fledged show in its own right, it's too flawed to make its mark.
I liked it so much I let them beat me up and cut me in half
At some points in this I thought I was going to keel over laughing. Other points were rather more patchy - this review is spot on, and can't wait to see more from these guys.
Fantastic show - different, but very funny and well worth watching. Hopefully we'll see more of them in the future.
Sweet. Well written, well performed, and just has that air of 'quality' that most sketch shows sadly lack.
Great show guys! Very dark and extremely funny.