Christina Adams: Semi Rural
Note: This review is from 2007
She is not interested the real world of nature, red in tooth or claw, nor the sometimes harsh realities of life on a real farm, but instead pursues a bucolic idyll, as written by Enid Blyton, where the animals are your friends you can live with in harmony. Adams thus introduces us to her new family by name, sweetly pegging cut-out pictures of each around the stage.
If you thought The Good Life was too gritty, this is for you. For my part, I was wishing she would just hurry up and eat the damn animals. And I’m a vegetarian.
But if you like your comedy gentle, there is much to admire in Adams’s approach. She has a strong storytelling manner, rich in details to effectively convey her life in the countryside – even if it can feel as if she’s reading an essay aloud, with every adjective and pause perfectly placed, rather than adopting a real, messier conversational style.
She also has a decent line in characterisation, adapting her normal nasal delivery to convey such personalities as the ageing, horse-fancying neighbour.
The monologue has a sturdy structure, too, using the visit of a real-life TV vet as a dramatic device to bring the threads together and push forward a story, making this slightly more than the otherwise flimsy premise of simply describing her new lifestyle choice would initially suggest.
However, the hour still offers the mildest of comedy, with nothing to scare the horses; but then nothing to really set your world alight either.
Reviewed by: Steve Bennett
Melbourne, April 2007
Review date: 1 Jan 2007
Reviewed by: Steve Bennett