From Chris Moyle's Comedy Empire

BBC Three, June 2012

More Mark Watson videos

A former Cambridge Footlighter, Mark Watson first made an impact on the comedy circuit in 2002 when he won the Daily Telegraph Open Mic competition andwas a runner-up in So You Think You're Funny?

He has become known for his Edinburgh shows (2005's 50 Years Before Death And The Awful Prospect Of Enternity was nominated for the Perrier) and his gruelling shows that last more than 24 hours. Perrier's successor, the if.comeddies, awarded the panel award for best capturing the spirit of the fringe, in 2007.

Watson won the Chortle award winner for innovation in 2005, when he was also nominated for best breakthrough act, and was nominated for best compere in 2007.

He is also a novelist, with his debut Bullet Points, published in 2003; has written for TV and in 2007 landed his first radio series, Mark Watson Makes The World Substantially Better.

Minkley’s Night of Mirth 3
Live Review
Brighton Komedia

Ed Moore

It was a line-up many big charity benefits would envy – certainly enough to easily sell out Brighton’s Komedia.

Minkley’s Night of Mirth was the third such fundraiser in aid of The Samaritans and in memory of Oliver Minkley, a local musician and new-act comic who took his own life in 2010.

The biggest draw would surely have been Stewart Lee, here trying out material for the next series of his Comedy Vehicle on BBC Two. And if this set is anything to go by, he’s developing a more political edge, subjecting the party leaders and the entire system and its ‘illusion of dissent’ under the same intense, sarcastic scrutiny he’s previously applied to his fellow comics. Not that comedy itself escapes entirely, with the usual analysis of his own gags, and a typically iconoclastic attack on Bill Hicks, slaying a sacred cow many of his own followers will hold dear.

Lee was preceded by Rob Beckett, heavy on the ‘be lucky’ Sarf London patter, and ever-affable compere Ed Gamble, who couldn’t have been left in any doubt he was playing Brighton after engaging with one front-row punter who’s job was making windchimes, and another who worked in a chichi vegetarian coffee shop cutesily titled Wai Kika Moo Kau. [Why Kick A Moo Cow].

The second section was dominated by comedy hip-hop. Mr B The Gentleman Rhymer, reimagining hits from the second summer of love with his ukulele and cut-glass accent proved the perfect entertainment for a crowd who surely still remembered those happy rave days, but now prefer to sit down for their nights out. Abandoman also featured, with their ever-crowd-pleasing improvised rap What’s In Your Pocket? and a mini-epic based on the lives of two audience members. The stand-up pastrami in this rap sandwich was Michael Fabbri, incredulously puzzled about how a world he doesn’t quite fit into, could possibly function. Smug grammar Nazis, ITV schedulers or unchivalrous pornographers are among those he just doesn’t quite understand.

Kicking off part three, Nick Helm, fresh from the announcement that he’s to star in his own BBC Three series, didn’t quite behave with the decorum that a representative of Her Majesty’s broadcaster should. Few are as expert at exposing the raw desperation of stand-up as him, barking his dubious jokes with such raw aggression right into the faces of the terrified front row, thirsting for their approval and even love. His typically full-on finale was a visceral overload that closing act Mark Watson, with his amiable commentary of life, found some difficulty in following.

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Mark at the Ironworks Inverness had to deal with hecklers - in a non-confrontational manner right from the word go! Jumped off high stage to listen to garbled conversation from a bunch of drunks who honestly spoilt what could have been potentially an evening of great comedy. He never had the opportunity to achieve top gear with his humour,stayed in third, due to their disruptive nature. He persevered and audience appreciated his commitment to maintain some equilibrium to his gig, like a true professional he is. Hopefully he will do a return gig minus-inebriated Cro-Magnon's!

Douglas Thomson, December 2011

I feel Mark is one of the best stand-ups Britain has produced. His clever observations on the absurdities of life and his cerebral, charming take on a wide range of subjects makes his act a must-see. His infectious energy and Welsh accent only heightens the hilarity of his material. Watson is truly a force to be reckoned with in the modern world of stand-up.

Imad Jafar, October 2010

Mark Watson has broken my mind. I think it'd be easier (post 24 hour show) if the country would all move to New Scottish Time and save us the bother of returning to GMT or BST or whatever the hell time it is

Misha, August 2009

Of course his real voice is good enough for comedic purposes and Welsh or not, he's one of the best comics in the country. I think Noel James is jealous and rightly so, Mark Watson is a star.

Anon, July 2008

Mark puts more energy in to his performance than any other comedian I've seen. His sense of fun is infectious. Highly recommended.

Cream Egg, January 2008

To his credit he doesn't talk in stereotypical ways about Wales. Nevertheless I still can't get over the fact that he never admits that he's not from Wales and does not have a Cymric accent in real life. It wouldn't bother me if it was a character act, but I don't think he is one...it's as if he's using the Welsh voice as he doesn't think his real one would be good enough for comedic purposes. Fine, but just come clean about it. For God's sake I've seen reviewers describe him as the 'best Welsh comedian'!?

noel james, January 2008

Pro's: I saw Marky boy a while ago.. and I though he was absolutely brilliant. Very very funny, made funnier by his accent and expression. 10/10 Cons: I have to wait three months to see him again in London. You must see him!

Matthew Armstrong, August 2007

Saw him for the second time last night. Hilarious. Laughed so hard and loud. again he did the "i don't believe in encores..." but a guy next to me whistled incredibly loud and yelled "encore" for 5 minutes straight and rendered me deaf – but it worked and he was back. Brilliant, I'll definitely be at the next gig and i wouldn't say "no" to attending a 24/34 hour show. my fave comedian at the mo.

moomin, July 2007

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