On Steve Day

Speaking about his friend, deaf comic Steve Day

More Matt Price videos

Cornish-born, Cardiff-based Matt Price is officially the UK's first New Deal comedian. Having been on the dole for two years, he applied for the financial support of the Government’s New Deal scheme to help him launch his stand-up career - and was accepted. Before comedy, he also had a short career in boxing, and wrote a book on the subject.

He was resident MC of Cardiff's Yellow Kangaroo Comedy Club for 18 months, and then took over at the city’s Wharf comedy club. He was also a finalist in the Laughing Horse New Act of the Year competition in 2004.

Price planned to take his debut solo show, The Nimble Mammoth to the Edinburgh Fringe in 2006, but arrived in the Scottish capital to find that his venue didn't exist, so spent the month compering gigs.

Matt Price: My Girlfriend Was Attacked By A Small-Time Wannabe Gangster And This Is What I Did About It – Fringe 2009
Live Review

Matt Price is a comedian, performing a show billed as ‘funny’ in the comedy section of the biggest festival of live comedy in the world. So you might reasonably expect this to be comedy. It’s not.

The subject matter – which you can probably guess from the title – is clearly too raw, bleak and personal for Price to slap on his happy face and crack gags about. It is, however, a thoughtful piece of storytelling by a man who finds it easy to connect with his audience.

Or at least most audiences. The piece starts with a tale of a gig he performed with fellow stand-up Ray Peacock in Broadmoor secure mental hospital, in front of patients so intimidating, it was his biggest stage death to date. His usual mantra is that ‘bad jokes bring people together’ – but that wasn’t enough to see him through that particular experience, which is only tentatively connected to the main story.

What happened is this. One night his girlfriend went to complain to her previously amiable upstairs neighbour about the noise, whereupon the man – a gym freak – smashed her head violently into the floor. Somehow she made it back to her own flat, where three thugs attempted to continue the assault. The attack left her badly injured, deaf in one ear, with the very real risk that she would lose her hearing altogether.

Price, naturally enough wanted revenge, and using some connections of connections, got in touch with enough members of the Glasgow underworld to populate a Guy Richie movie. Through meetings in restaurants and deserted car parks, he told what had happened and sought help and advice, learning he could have the man killed for £5,000 or seriously injured for £2,000. This redemptive story tells, as promised, exactly what he chose to do about it.

Not, as you see, exactly a prime subject for jocularity. Even when Price promises us before one particularly depressing segment: ‘You won’t laugh for four or five minutes, but after that you will.’ Only the first part comes to pass.

Some levity is provided by Price’s friend Steve Day, the deaf comedian and central character in the few light-hearted anecdotes in the hour, as Price recounts some o fhis joking around, using his disability to excuse mischief. But there’s always the threat of brutally menacing gangsters hanging over even the most innocent of anecdotes.

Price draws you in, though, with his easy charm and compelling story. The staging could help him more; the stage is lit in such a way that a man front row is brightly illuminated, while the performer is in shadows – while a PowerPoint projector is a redundant distraction.

It’s a prop Price doesn’t need, as his delivery of the tale is exemplary. Just don’t expect to laugh...

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The most promising new act I have seen in years.

Dr Shane Lee, June 2004

I was at the Laughing Horse final and cannot marry this review with what I saw. Matt has both some truly original work and some crowd pleasing gags delivered in a true West Country style. His take on West Country values is an anthem for my peer group and I personally feel his monologue on reincarnation is brilliantly written and well delivered.

Matt Drayton, May 2004

Dismissing Matt Price's act like this is like calling Morecambe & Wise "an old fashioned vairety turn" There's a sub-text to Matt's work which the reviewer was either too drunk, drugged or stupid to see.

Tom Wells, March 2004

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