Lady Garden
Lambros Fisfis
Lara A King
Larry Dean
Larry The Cable Guy
Late Night Gimp Fight
Lateef Lovejoy
Laura Carr
Laura Carruthers
Laura Lexx
Laura Mugridge
Laura Solon
Lauren Shearing
Laurence Clark
Laurence Tuck
Laurie Blake
Laurie Rowan
Lawry Lewin
Leanne McKie
Lee Bannard
Lee Brace
Lee Evans
Lee Hume
Lee Hurst
Lee Kern
Lee Mack
Lee Nelson
Lee Simpson
Lenny Henry
Leo Kearse
Les Dawson
Leslie Phillips
Lewis Black
Lewis Phillips-Calvert
Lewis Schaffer
Liam Mullone
Liam Williams
Linda Smith
Lindsay Sharman
Linus Lee
Liz Carr
Liz Smith
Liz Stephens
Lloyd Griffith
Lloyd Langford
Logan Murray
Loretta Maine
Lou Chawner
Lou Conran
Lou Saffire
Lou Sanders
Louis CK
Louis Ramey
Lucy Beaumont
Lucy Montgomery
Lucy Porter
Luisa Omielan
Luke Benson
Luke Catterson
Luke Graves
Luke Hannon
Luke McQueen
Luke Thompson
Luke Toulson
Luke Wright
Lyra May
Luke Thompson
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Snigger Happy at the 2012 Brighton Fringe |
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![]() This three-hander showcases the sort of comedian there never seems to be any shortage of: amiable chaps, chatting with some charm about their everyday lives, though struggling to find much point of difference between themselves and countless others. Opening act Alex Love was probably the least memorable of the lot, the only thing that really sticks in the mind is his obsession with piss, with several stories revolving about unfortunate urine incidents. These, and another yarn about losing his virginity tend to be rather waffly, filled with unnecessary scene-setting and the sort of small-talk that peppers real-life conversations, but really ought to be exorcised from stand-up. There are one or two nice lines, but not really enough for this to feel special. Still, he seems like a nice chap. But don’t they all? Luke Thompson really overplays his two main jokes – hackneyed as they are. One is the peculiar way newsreaders intone the headlines, which is deftly done, and he captures their cadences perfectly. But when he extends that simple but effective observation into the formulaic ‘imagine what he’s like at home’ territory, the interest quickly evaporates. After mentioning the Olympics, but bizarrely abandoning the routine before it had begun, Thompson moves on to the second part of his set, which revolves entirely around a Robert De Niro impression, adding no extra value to this tired comedy staple. Paul Langton stands slightly apart from the others, thanks to a bolder personality and more committed delivery. He looks a bit of a shambles – possibly the effects of an afternoon’s flyering in the intense Brighton sun – as he bundles though some rather boisterous, bawdy material. It comes as something as a surprise, then, to find he’s not only a Catholic, but a keen one, helping out at his local church. Whenever the word Catholic is mentioned in stand-up, the word paedophile is never far behind (indeed, it’ss comedy’s role to keep reminding people) and so it goes here. While Langton’s take on the subject offers few surprises, he has enough performance skills to give a predictable payoff maximum impact. Whether you’d actually pay to hear him is a moot point, but he holds the attention. |
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| Date of live review: Friday 25th May, '12 | |
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Review by Steve Bennett |
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Sunday 23rd May, '10- Brighton The Temple | |
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