John Cleese

John Cleese

Date of birth: 27-10-1939
John Cleese is one of the towering figures of British comedy, both physically and metaphorically, the respect he earned from Monty Python and for creating Fawlty Towers undimmed by the less consistent work of his later career.

Cleese was born in Weston-Super-Mare, His father, Reg, an insurance salesman had originally been called Cheese, but changed his surname when he joined the army to avoid being taunted.

John was was privately educated at St. Peter's Preparatory School; Clifton College, Bristol, and Downing College, Cambridge, where he read law and, crucially, joined the Cambridge Footlights, where he met Graham Chapman, with whom he started writing.

Although initially turned down for the troupe, he wrote for their revue in 1961, 1962 and 1963, starring in the latter two productions. It was the 1963 show, A Clump Of Plinths, that gave him and his co-stars their first break; taking the Edinburgh Fringe by storm, then transferring to the West End, Broadway, and a tour of New Zealand under the name Cambridge Circus.

After the New York run, Cleese decided to stay on in the US as an actor, with roles in such stage shows as Half A Sixpence, and trying his hand at journalism, working for Newsweek. While in America he met Terry Gilliam, who was working for a magazine called Help! (he recruited Cleese to appear in a photo-story) as well as a waitress and aspiring actress called Connie Booth, who he would marry in 1968. She gave birth to their only child, Cynthia, in 1971.

Back in Britain, Cleese was given a job as a writer with BBC radio, working on such programmes as The Dick Emery Show, and making the sketch show I’m Sorry I’ll Read That Again with his Cambridge Circus co-stars. The show eventually ran from 1965 to 1974.

In 1965, Cleese and Chapman started writing for David Frost’s The Frost Report, and he also appeared on the programme, including the classic class-based sketch in which he appeared alongside Ronnies Barker and Corbett, each looking up or down on each other. Future Monty Python members Eric Idle, Terry Jones and Michael Palin were also on the illustrious writing team.

Cleese and Chapman also wrote episodes of Doctor In The House, and in 1965 were invited to work with Tim Brooke-Taylor and Marty Feldman on At Last The 1948 Show – the title jokingly referring to the length of time it took the BBC to commission the programme.

In 1969, Cleese and Chapman were offered their own series. But Cleese, reluctant to take the responsibility in the light of alcoholic Chapman’s unreliable behaviour, invited Palin to join them. Since Palin was awaiting an ITV commission with Idle and Jones, they came on board, too, along with Gilliam – and so Monty Python was born as an ensemble piece.

The BBC series ran for four series, from October 1969 to December 1974, but Cleese did not take part in the final run, feeling that the troupe had reached its prime.

However, he was persuaded to return for the film Monty Python and The Holy Grail in 1975, and they subsequently made Life Of Brian and The Meaning Of Life for the big screen, too.

From 1970 to 1973 Cleese served as rector of the University of St Andrews, a role he took surprisingly seriously.

Cleese managed to follow Python with an even more enduring creation, Basil Fawlty, the rude, exasperated hotelier based on a real person, Donald Sinclair. He and Booth, who co-created the series, had been inspired by Sinclair’s bizarre antics running the Gleneagles Hotel in Torquay, where they stayed during location filming on Python – including hiding Idle’s briefcase behind a garden wall, fearing it was a bomb.

The first series began in Septmeber 1975 – but it was four years until the second appeared, due in part to Cleese and Booth’s meticulous planning of each episode. By the time the second series appeared, the couple’s marriage had failed, but they still managed to write together.

He married Barbara Trentham on February 15, 1981. Their daughter Camilla was born in 1984, but they divorced in 1990.

In 1982 he rejoined the Pythons for their Hollywood Bowl show, and masterminded the Amnesty International benefit The Secret Policeman’s Ball, persuading many of comedy’s top stars to take part. Cleese also set up a training company, Video Arts, using his comedy talents in films designed to help workers in their jobs. The company netted him and his three co-founders a total of £42million when it was sold in the late Eighties.

He also has a keen interest in psychotherapy, and has written two books with analyst Robin Skynner: Families And How To Survive Them and Life And How To Survive It.

Outside Python, his Eighties film roles include Time Bandits, Privates On Parade, Yellowbeard, Silverado, Clockwise and Eric The Viking.

In 1988 he wrote and starred in A Fish Called Wanda opposite Jamie Lee Curtis, Kevin Kline and Michael Palin, and was nominated for an Oscar for his script. But the long-awaited follow-up, Fierce Creatures, in 1996 was widely considered a disappointment.

In 1982, Cleese married Alyce Faye Eichelberger, his third blonde American wife, and they remain together to this day, spending most of their time on his Californian ranch.

In the Eighties, he also made party political broadcasts for the Liberal Democrats and the SDP-Liberal Alliance

In 1996, Cleese was offered the CBE, but turned it down.

Cleese’s notable guest appearances include The Muppet Show in 1978; playing Petrucio in a 1980 TV version of The Taming Of The Shrew; playing Q’s assistant in the 1999 James Bond movie The World Is Not Enough and Q himself in Die Another Day three years later.

He has also, lucratively, appeared on some of the most successful US sitcoms in recent years, with a one-off rols in Cheers; and recurring characters in Third Rock Form The Sun (playing Liam Neesam) and Will & Grace, (Lyle Finster).

He is known to a younger generation as Nearly Headless Nick in the Harry Potter films, or possibly as the voice of Princess Fiona's father, King Harold, in Shrek. And he is set to plays Chief Inspector Dreyfus in the 2009 revival of Pink Pather.

Cleese has also leant his voice to George Of The Jungle, Valiant and Charlotte’s Web, the video game Jade Empire, TomTom satellite navigation systems, and Eric Idle’s West End and Broadway Python musical Spamalot, in which he was the voice of God.

In 2005 Cleese toured New Zealand with a live show, but hopes this would spawn more performances around the world appear to have amounted to little, although he did take part in the 2006 Just For Laughs festival in Montreal.

He has both a species of lemur, Avahi cleesi, and an asteroid, 9618 Johncleese, named in his honour.

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Big ratings for Hold The Sunset

But John Cleese's sitcom return divides critics

John Cleese’s first sitcom since Fawlty Towers has been a ratings hit.

Hold the Sunset, which launched on BBC One last night, hit a peak audience of 7.2 million.

The average was 6.2million, with a 29.1 per cent audience share – making this the most successful comedy launch on BBC One since Still Open All Hours series 1 launched in 2014.   

Shane Allen, the BBC's controller of comedy commissioning said: ‘This is a superb launch for a show that is awash with comedy acting royalty and cements the BBC’s unique ongoing commitment to delivering mainstream popular comedy on BBC One.'

But the show, which aired at 7.30pm, divided the critics, with opinion apparently split along age lines.

The Daily Telegraph and The Daily Mail, which have an older readership, both gave the BBC One sitcom a four-star review. But online outlets were less kind.

The Telegraph was most fulsome in its praise, saying: ‘This was one of those wonderful programmes about everything and nothing – love, getting on with getting on, and simply taking a deep breath and adjusting as best you can when things don’t quite turn out the way you’d hoped.’

In the Mail, Christopher Stevens praised the deft set-up of the ‘old-fashioned sitcom’… though acknowledged: ‘It remains to be seen whether audiences still have an appetite for laboured slapstick where ageing men get into scrapes and women cluck over them.’

And Saga magazine, aimed at the over-50s, said: ’It is rather lovely. It’s wry, and gentle, and old fashioned. It is warm and affectionate and optimistic.’

Scottish-based The List awarded the comedy three stars and damned with faint praise such as ‘ mildly enjoyable’  and ‘cosy Sunday evening sitcom’.

In a two-star review, The Arts Desk website declared the show ‘a weary exhumation of sitcom’s more incontinent old tropes’ that indicated ‘ the suburban family sitcom is as dead as a well-known parrot’… but sighed: ‘Probably it will be a massive hit.’

The Glasgow Herald also awarded just two stars, saying: ‘Between the sitcom cliches, including jaunty music and folk forever bursting through the back door, characters did things they only ever do in TV comedies.’

And here at Chortle we were unimpressed with a ‘tepid script and an unlikeable undertone’.

Twitter was generally not kind.

Jeff Leppard tweeted: ‘When Frankie Howerd said 'Titter Ye Not' he was clearly on about the new @BBCOne sitcom #holdthesunset.’

Jen Farrow said: ‘Oh my goodness what cringeworthy tv, such a shame to see comedy greats in this utter tripe’

And Andy Mabbett said: ‘Good to see that John Cleese is trying something new. Y'know, instead of sticking to comedy.’

But the sitcom did find some fans online. Bernadette Horton posted: ‘I loved #HoldTheSunset and the quality cast of @JohnCleese @Jason__Watkins @PeterEgan6 and Alison Steadman a joy. With sons at Uni I had a dejavue Of 15 years from now if I’m not careful!’

And a viewer with the handle @BarnsleyEmma122 said: ‘Absolutely fantastic to see the utterly brilliant @JohnCleese back on our TV screens. A lovely comedy and Alison Steadman and @Jason__Watkins make it even better. It had me at the theme tune, I love that song! ‘

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Published: 19 Feb 2018

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