Broken English

With Nat Luurtsema

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Dan Antopolski's surreal won him the BBC New Comedy Award in 1998 as well as Perrier Award nomination in 2001. Dan has performed at the usual comedy clubs as well as international comedy festivals, with appearances at Montreal, Melbourne and New York.

And as an actor, Dan has starred in the BBC Two sci-fi spoof Hyperdrive as technical officer Jeffers and appeared in the Da Vinci Code movie as Jesus

Greenwich Comedy Festival: Tim Minchin etc
Live Review
Old Royal Naval College

There are few better ways to get a party started than with Tim Minchin, so what perfect choice to kick off the third Greenwich Comedy Festival, another week of top-drawer comics in the glorious and historic Old Royal Naval College.

There were, however, a few teething problems with the 1,800-seater marquee. The gig was half an hour late starting, Minchin's radio mic gave up the ghost midway through his first song, and some lighting cable came untethered and fell (harmlessly) on to the audience. Such drama.

Luckily compere Dan Atkinson guided us nimbly through such palavers. He has something of a chaotic demeanour himself, but is surprisingly, and reassuringly, controlled with it. In a similarly contradictory manner, he's quirkily idiosyncratic, but easily to relate to – at least if you’re not a primary school teacher, an occupation he has tremendous fun baiting. A couple of his left-field lines are near the knuckle, but always delivered with a cheeky glint that makes them instantly forgivable.

Festival bookers didn’t look too far from Atkinson on the A-Z list of comedians for opening act Dan Antopolski, who was visibly put on the back foot by the size of the audience, and admitted as much. Still, being in awe of the crowd rather suits his man-child persona: awkward, hesitant and clad in awful knitwear. His set was faltering, not quite building momentum, even though his impressively agile wordplay drew sold laughs – even if you also grimace through some of the more torturous examples. His quiet, eager-to-please charm goes a long way, too.

After the first interval, sublime anti-poet Tim Key delivered an all-too short set of his finest work, applying decidedly un-poetic language to mundane situations, and creating fragments of hilarious beauty because of it. His ‘harrowing’ war verse, with its blindsiding punchline deserves special mention, but his unique style of writing and delivery, part-naturalistic, part-affected, was as richly rewarding as ever.

Holly Walsh got a good reception, too, playing up her South East London connection as a resident of nearby Peckham, rough but battling valiantly to gentrify. Her nuggets of personal observations are of variable quality, with the best conjuring up moments of strange embarrassment, but she delivers with such enthusiasm and emphasis as to win the crowd over. She even gets laughs out of two very similar payoffs about pregnancy testing kits, even though, in theory, the routines should have been much further apart.

After a second interval, the man everyone came to see, Tim Minchin, with some greatest hits including Rock And Roll Nerd, Prejudice and the awesome Pope Song – although muted call-and-response sections seemed to suggest this crowd weren’t entirely au fait with the barefooted Australian’s back catalogue.

There were, too, a couple of more recent numbers, including the unflinchingly honest, if creepily unpalatable, lullaby to his daughter; plus daring Cont which pushed to the limit the audience’s confidence in his motives, before the silly reveal.

Impressive musicality aside, Minchin’s chief skill is the depths to which he will drag the audience down some apparently serious path, delivering with such apparently earnest, heartfelt emotion that natural cynicism is demolished, before he release the comedy pay-off to now devastating effect.

His stand-up matches the skill of the songs, too, with some A-grade material about ‘guilty pleasures’ or a trip to the barber’s, while his army of nerd followers are not neglected with some cheekily geeky discussion about the statistical measure known as the p-value.

This was a rare back-to-basics gig for Minchin – if you can call any set which involves a grand piano ‘basic’. But away from the arenas and full orchestra back-up, he delivered as funny, thoughtful and barnstormingly powerful performance as ever. It was an impressive start to an impressive festival.

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Bit of a dodgy performance in Leeds. Occasionally funny but seemed distracted. The heckler wouldn't join in with him and so disturbed his flow. And he died - was literally carried off by the compere - after asking what somebody's parents had died of

Greendogg, November 2004

Feet firmly planted left of centre, he dovetails exquisitely (and yes, thus, excruciatingly) between his own lavishly crafted material and his irresistible desire to ad lib ad infinitum with the audience. Dan is not a stand up - one pays to simply see the truly fascinating on-stage idiosyncrasies of a fine, unique, and thoroughly entertaining mind.

Ewen Cook, October 2004

I just saw him on Comedy Central and he was great. The way he uses all the big words and rambles to make stupid things funny.

Greg Turner, September 2004

Saw him at the Warehouse Theatre in Croydon. He definitely has something, he seems very quick witted and enjoys audience interaction. But some of it was painful, and as for the 'Mouse of Commons' thing, what the hell was that all about, a terrible way to end a lacklustre show.

Colin, July 2004

Incredibly intelligent and remarkably funny. A great man.

Darren, May 2004

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